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♪ Entertain, me, entertain me right now ♪

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Hello and welcome to the Pop Culture Junkie podcast.

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I'm Shauna here as always with my fellow junkie.

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Olivia.

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And this week we have a very special guest.

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Daniel de Boulay is a producer, essayist and screenwriter

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who served as an acquisitions executive at Sony Pictures

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for several years.

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de Boulay is an alum of the Academy Awards Gold Program.

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He is also an accomplished music producer and composer.

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He's currently working on an essay about James Bond

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for the Splice.

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Welcome, Daniel.

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Thank you for being here.

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- Hello, hello, hello.

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It's good to be here.

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I am definitely a Pop Culture Junkie.

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So it's gonna be a good conversation.

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- Yes.

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Where are you joining us from today?

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Where do you live?

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- I live in Culver City, which is in Los Angeles

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County, which is really, really hot.

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Man, it's like, I don't know if you guys can,

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whoever can see the video here,

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if you've ever seen the movie Cool Hand Luke.

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- I look like I'm from the movie Cool Hand Luke.

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(laughing)

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There's like an episode of Cheers

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where I think it's norm and wording

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have this debate about what movie has the most sweating.

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And at the end, they're like cool hand Luke,

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lots of sweating and Cool Hand Luke.

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- That's hilarious.

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I probably would have said like an inappropriate film

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has the most sweating, but Cool Hand Luke's a good choice.

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- There you go.

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- There you go.

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- Yeah.

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- Okay, I see what you mean.

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- I saw it.

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- I see what you mean.

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I don't know if that's what you mean.

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- I see what you mean.

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- Oh gosh.

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Well, of course you live in California being, you know,

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the Mr. Movie Guy that you are,

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that makes a lot of sense.

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It's a close to Hollywood.

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- I basically live eight minutes from where I used to work

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at Sony.

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So it's like, I moved to, I guess, because of that,

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but I don't work anymore.

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So I guess it's like living just near your ex-girlfriend.

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- Just drive by sometimes.

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- Yeah.

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- And you can just go to your own town.

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So take us, I guess, to the beginning, Daniel,

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how did you get into becoming, you know,

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a movie producer and essayist, a screenwriter,

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and what kind of started your journey

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in pop culture and film?

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- Probably by six great teacher, Mrs. Patch Kowski.

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So like, she's gonna do this thing where,

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if you wrote a book report about anything,

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and so she was like, you got a book report about a movie,

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about a TV show, about a song, whatever.

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As long as you're writing, she would give you extra credit.

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And so I guess I used to start,

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I guess that's the first time someone

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that would let me write about movies.

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If I'm gonna be, ah, it's probably, it's Patch Kowski.

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So it's probably her, I haven't thought about that in a minute.

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It's probably her.

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I mean, she got remarried, so now her name is Reed now.

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- Well, if you're listening,

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you started this man on his career path.

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- Yeah, they're also listening after us.

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- That's amazing.

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- And walk us through kind of like,

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what does an acquisition executive do for us,

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a layman people?

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- That's funny, 'cause I didn't know what acquisition was

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when I graduated college.

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I was put into the division because I had work,

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I'd interned at a few production companies,

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and then I interned for the Los Angeles Creek Film Festival.

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I guess the HR department at Sony,

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he was which was a guy at the time, Joe Camarena,

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and I think he might have used to be a photographer too.

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But he, I guess, saw that I was interested

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in that side of the business,

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and then he put me in the acquisitions division of studio.

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But if people that don't know,

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it should be like me when I was put into the division.

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- Definitely me too.

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(laughs)

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- Yeah, 'cause anytime you do like an indie movie,

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getting acquired by a studio,

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then that has to go through the acquisitions division.

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So essentially acquisitions are folks who are buying

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independent movies on behalf of the studio.

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It's kind of like the studios liaison

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to the independent film.

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- I feel like.

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- It's not a good thing because more and more things

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are independent these days because a lot of money

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in development is just not there.

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So I have a more interesting things

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to really get developed internally at studios anymore.

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So acquisitions has become pretty important as a late,

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'cause a lot of packages are put together

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by capital outside of the system,

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and then acquisitions divisions will see it.

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Even with studios like,

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I'll refer to 824 as a studio, technically,

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you wouldn't call them one of the major studios,

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but for this exercise I will.

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- They're getting up there now.

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- Exactly, exactly.

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So, but even with a studio like 824,

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when they want to distribute their movies internationally,

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they also submit their titles to an acquisitions division,

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like Sony or Universal or any of them,

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because they'll want to take advantage

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of the international machine that's so fun

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that the C Studios have because they don't really have

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their own international machine.

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'Cause typically, and the business needs to be a lot better,

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but typically, you know, you can make a movie

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and then sell the rights all around the world

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to different countries.

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And people still do that very well.

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Lionsgate, honestly, they do that very well,

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where they'll make a movie like 100 games,

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or even 100 games prequels,

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and then they'll take some of those territorial rights

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and they'll pay for the movie by its tree selling

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and all around the world.

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But that business is a lot more troubled as of way.

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So typically, as a studio like 824,

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if they can, they'll make a deal with one distributor

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who has a wide international footprint.

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And it saves them the hassle of having to do deals

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all around the world, 'cause you have to close a deal

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for every individual territory when you do do that.

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And that can accumulate to be a larger amount,

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and if you were to just, you know,

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make a deal with one global distributor,

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like if you were to do the work of doing it,

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that number can be higher, but it is a lot of work.

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And there are less buyers than ever.

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And so a lot of times you see more global folks,

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just taking all of the international for someone like

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at 824, but it doesn't always happen that way.

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Usually, but it does happen.

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- Yeah, that like conglomerate coming together.

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- Yeah, exactly.

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- So did you go to school for filmmaking?

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Like what made you want to follow the path to become

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like an acquisition executive?

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- So I got accepted into film school

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at the Lolli-O-N-R, at university.

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And when I went there, we were like a top 10 film school,

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and then when I left there were a top eight

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and I think now they're top five.

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- Nice. - 'Cause they told me,

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"Okay, of course."

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(laughing)

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So that was good.

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But when I was there, I went in as a film production major,

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and then at the time, I told myself,

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like, "Oh, I'll be a film production major.

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"I'll study marketing and I'll study screenwriting."

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And then I couldn't do all three.

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So then at some point what I did was,

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I switched from production to screenwriting,

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because I looked at this woman named Jeanette,

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and Jeanette was always on set.

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So I assumed that she was a production major,

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because I had just always seen her on set.

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And then as I get talking,

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I was like, "No, I'm actually a screenwriting major,

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"because I'm a screenwriting major.

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"I just take it apart myself to be on set all the time."

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And then I was like, "Huh, I want to be more like Jeanette."

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So then I changed my major after having a conversation with her.

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I changed to screenwriting,

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and then I just kind of did what she did,

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which was I was on set like every single week at in film school.

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I was talking to Jeanette, joking with somebody.

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I mean, one time we were on set,

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and we were filming something like in front of like a building

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where all the sorority girls were gonna get ready

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to go to a party.

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So we just see like all these trap hoys and sorority girls,

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like lying up, getting ready to get drunk.

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And we're just looking at them and we're like,

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"We did not spend college having fun,

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"but we did not do that."

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I have so many memories of spending my weekends in film school,

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like in downtown LA, carrying combo stance.

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For those who don't know,

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the combo stand is like a very heavy,

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light holder.

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I guess that's a very work way of simplifying it.

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Like the lights in film are heavy.

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So you'll have very heavy things to hold.

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I was just doing manual labor.

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- Yeah, I'm pretty much a pro artist.

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- For free, yeah, for free.

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I was sending a loan to do it.

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When you're on set, it's like, you know,

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a person's thesis, they only have three days to do it.

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So they don't have enough time and it's 12 hour days.

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And you know that and you kept,

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yeah, so I was like, we was doing 36 hours on the weekends.

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So basically a full time job in a three days

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and then going back to class.

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So I was like, man, I have a few might have had a lot more fun with me.

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But, yeah.

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- Well, hopefully you could have some party

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since graduation then.

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- Yeah.

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(laughing)

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- I find it a lot of business stuff.

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I find one.

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(laughing)

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- And do you,

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any film like really exciting film sets

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that you remember being on?

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Like what were some of your highlights

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or anything we might have heard of?

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- Well, I mean, in film school,

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I don't think I was on any sets that you've heard of,

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but there was a,

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my one of my first sets that was really cool was

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one of the graduate students

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made a short film about immigration.

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And so he wanted to shoot some of it on a stage.

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So we had to like build and recreate and paint

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the inside of a U-Val

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'cause that's like in the plot of his story.

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There were like immigrants

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that were being transported in the back of a U-Val.

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So we built that on the stage,

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then he matched it with like another U-Val

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that he just like rented for a day.

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And that was a cool project.

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'Cause.

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- Yeah.

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- It was very creative.

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It was very, it was difficult.

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Like I spent a lot of time like doing production,

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like at least helping people doing production art.

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I said, and I kind of like,

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they're like, there are two things that are really important

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in the frame to make something look high quality.

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It's the production design of course,

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but also people, people take it,

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they do, you sometimes take for granted

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how it's like filling people in a frame

263
00:10:25,240 --> 00:10:27,880
who will make something look big.

264
00:10:28,880 --> 00:10:31,400
So yeah, yeah, for some interesting sense.

265
00:10:31,400 --> 00:10:34,040
I'm don't know how that was on a set of something called,

266
00:10:34,040 --> 00:10:35,480
I think it was called American Ninja Warrior,

267
00:10:35,480 --> 00:10:36,960
which is like a rock show.

268
00:10:36,960 --> 00:10:37,800
- Yeah.

269
00:10:37,800 --> 00:10:39,120
- I love American Ninja Warrior.

270
00:10:39,120 --> 00:10:40,440
- I love American Ninja Warrior.

271
00:10:40,440 --> 00:10:41,920
- It was like something with the rock.

272
00:10:41,920 --> 00:10:42,920
Yeah, I remember that.

273
00:10:42,920 --> 00:10:44,360
And I remember like,

274
00:10:44,360 --> 00:10:46,320
I remember being a TA or something like that.

275
00:10:46,320 --> 00:10:48,920
They'd be shouting like the middle of a parking lot

276
00:10:48,920 --> 00:10:50,040
in a row in a day.

277
00:10:50,040 --> 00:10:51,800
I remember in my head thinking like,

278
00:10:51,800 --> 00:10:54,680
on TV this looks like it's like a whole arena.

279
00:10:54,680 --> 00:10:57,160
And like, it looks like it's like this huge thing,

280
00:10:57,160 --> 00:10:58,000
but they wouldn't do that.

281
00:10:58,000 --> 00:10:59,600
Oh, it's just a parking lot.

282
00:10:59,600 --> 00:11:01,280
(laughing)

283
00:11:01,280 --> 00:11:02,920
- The magic of Hollywood.

284
00:11:02,920 --> 00:11:05,240
- Yeah, it looks so much bigger than the TV.

285
00:11:05,240 --> 00:11:06,400
- TV magic.

286
00:11:06,400 --> 00:11:08,040
That's amazing.

287
00:11:08,040 --> 00:11:09,360
That's really really cool.

288
00:11:09,360 --> 00:11:13,560
And how did you ultimately start transitioning into SAS?

289
00:11:13,560 --> 00:11:17,440
And what was kind of that evolution in your career?

290
00:11:17,440 --> 00:11:18,640
- So after I left so many,

291
00:11:18,640 --> 00:11:20,240
one of the things that I,

292
00:11:20,240 --> 00:11:22,040
after the Sony from being a buyer,

293
00:11:22,040 --> 00:11:23,360
traditionally being a producer,

294
00:11:23,360 --> 00:11:25,240
so now I got to spend more time

295
00:11:25,240 --> 00:11:27,560
just focusing on the things that I cared about.

296
00:11:27,560 --> 00:11:30,160
So I produced a movie last year

297
00:11:30,160 --> 00:11:33,240
with Justin Long, One More It's That's In Close Production.

298
00:11:33,240 --> 00:11:34,400
- Oh, awesome.

299
00:11:34,400 --> 00:11:37,440
- And then one of the things about that journey

300
00:11:37,440 --> 00:11:39,120
was it's a comedy film.

301
00:11:39,120 --> 00:11:42,680
And one of the reasons that the producer brought me

302
00:11:42,680 --> 00:11:43,680
onto the project thought,

303
00:11:43,680 --> 00:11:46,000
she was like, you're gonna be perfect for this.

304
00:11:46,000 --> 00:11:48,600
Is that I am low-key obsessed with comedy.

305
00:11:48,600 --> 00:11:50,880
And one of the habits that I started

306
00:11:50,880 --> 00:11:53,840
when I left Sony was going to open mics

307
00:11:53,840 --> 00:11:56,080
with real comedians and just doing them.

308
00:11:56,080 --> 00:11:59,440
I don't think I'm a real comedian like them

309
00:11:59,440 --> 00:12:01,880
'cause there's like two aspects to comedy.

310
00:12:01,880 --> 00:12:02,960
There's writing the joke,

311
00:12:02,960 --> 00:12:04,400
which I think maybe I can do.

312
00:12:04,400 --> 00:12:06,960
But then there's like performing the joke,

313
00:12:06,960 --> 00:12:08,520
which I'm like, I don't know.

314
00:12:08,520 --> 00:12:10,040
(laughing)

315
00:12:10,040 --> 00:12:11,160
I've done a few shows.

316
00:12:11,160 --> 00:12:12,160
I've done like a some like,

317
00:12:12,160 --> 00:12:13,160
bring your shows and I'm like,

318
00:12:13,160 --> 00:12:15,080
I don't think this is my craft.

319
00:12:15,080 --> 00:12:17,120
And when you're there with like a comedian

320
00:12:17,120 --> 00:12:20,320
who's like a theater type kid who loves to perform,

321
00:12:20,320 --> 00:12:21,160
then you do gotta feel like,

322
00:12:21,160 --> 00:12:23,040
oh this guy, this guy, this guy.

323
00:12:23,720 --> 00:12:27,920
But one of the things that happened in doing that is

324
00:12:27,920 --> 00:12:31,600
I just started to get in the habit of writing more

325
00:12:31,600 --> 00:12:33,480
and which is what I really wanted to do.

326
00:12:33,480 --> 00:12:34,720
I remember I was playing up cat,

327
00:12:34,720 --> 00:12:36,360
filling gas in the tank when you're like,

328
00:12:36,360 --> 00:12:38,360
it's just go to the conversation to just do this.

329
00:12:38,360 --> 00:12:39,840
I always wanted to do it.

330
00:12:39,840 --> 00:12:43,760
And then I love going to a comic that I'm using this.

331
00:12:43,760 --> 00:12:45,880
It's like, I almost cheated like,

332
00:12:45,880 --> 00:12:49,720
the way other people treat AA means, sometimes I'm going too much,

333
00:12:49,720 --> 00:12:51,960
I'm like, I have to go to a meeting,

334
00:12:51,960 --> 00:12:55,120
I have to go to a open light and get something off my chest.

335
00:12:55,120 --> 00:12:58,120
And I've also noticed that sometimes there've been things

336
00:12:58,120 --> 00:13:00,880
that I've never been able to talk about,

337
00:13:00,880 --> 00:13:02,440
even some dark things in life,

338
00:13:02,440 --> 00:13:03,200
but then I'll be like,

339
00:13:03,200 --> 00:13:04,800
now let me try it on stage.

340
00:13:04,800 --> 00:13:07,240
And then this app also noticed that it's also good

341
00:13:07,240 --> 00:13:08,600
for a moment for like,

342
00:13:08,600 --> 00:13:10,320
if there is anything that I'm still like,

343
00:13:10,320 --> 00:13:11,880
he having joked about that, honestly,

344
00:13:11,880 --> 00:13:13,280
it's 'cause I'm too nervous.

345
00:13:13,280 --> 00:13:15,160
And it's also like a kind of thing for myself,

346
00:13:15,160 --> 00:13:16,840
it's like, you probably still work there.

347
00:13:16,840 --> 00:13:19,400
'Cause it's like, you should, in my theory is life,

348
00:13:19,400 --> 00:13:20,640
and maybe this is everyone's theory,

349
00:13:20,640 --> 00:13:21,760
but in my theory is like,

350
00:13:21,760 --> 00:13:25,000
you should be able to joke about literally anything.

351
00:13:25,000 --> 00:13:25,840
- Yeah.

352
00:13:25,840 --> 00:13:26,960
- And it should roll off of you.

353
00:13:26,960 --> 00:13:30,200
And she can't do that, then you're in active pain.

354
00:13:30,200 --> 00:13:31,720
That's why I call it a real life.

355
00:13:31,720 --> 00:13:32,560
(laughing)

356
00:13:32,560 --> 00:13:33,680
- I like that, I like that.

357
00:13:33,680 --> 00:13:35,520
- You know, like, and it may not be the same

358
00:13:35,520 --> 00:13:37,000
for everybody else.

359
00:13:37,000 --> 00:13:39,040
- No, Olivia and I make a lot of dark jokes

360
00:13:39,040 --> 00:13:40,640
on the podcast to work your ass,

361
00:13:40,640 --> 00:13:41,480
- Yeah, trombas.

362
00:13:41,480 --> 00:13:43,160
- Yeah, that's like, that's how you know,

363
00:13:43,160 --> 00:13:46,800
and like, we have the two to what I love about,

364
00:13:46,800 --> 00:13:48,480
when you go to the open mics is,

365
00:13:48,480 --> 00:13:51,360
sometimes you'll joke about something that was bothering you a lot,

366
00:13:51,360 --> 00:13:53,520
but then it doesn't resonate with anyone in the room,

367
00:13:53,520 --> 00:13:54,360
which is humbling,

368
00:13:54,360 --> 00:13:56,960
'cause then you're like, oh, literally nobody cares.

369
00:13:56,960 --> 00:13:57,800
(laughing)

370
00:13:57,800 --> 00:14:00,640
Or someone after you, like, I know one time,

371
00:14:00,640 --> 00:14:03,720
I remember I was like complaining about something to suit.

372
00:14:03,720 --> 00:14:05,600
And then the guy went on after me,

373
00:14:05,600 --> 00:14:07,640
was like, what are you complaining about?

374
00:14:07,640 --> 00:14:09,120
You're a film producer, like,

375
00:14:09,120 --> 00:14:10,440
"Dude, I'll be on my lunch break.

376
00:14:10,440 --> 00:14:11,600
I work at Target."

377
00:14:11,600 --> 00:14:13,320
And his set was hilarious.

378
00:14:13,320 --> 00:14:14,160
It was really good.

379
00:14:14,160 --> 00:14:15,880
- I remember it was like, yeah,

380
00:14:15,880 --> 00:14:17,480
like I'm probably in my head, that's what it was.

381
00:14:17,480 --> 00:14:18,640
- But it's perspective.

382
00:14:18,640 --> 00:14:19,480
- Yeah, exactly.

383
00:14:19,480 --> 00:14:20,600
- Yeah, I love that.

384
00:14:20,600 --> 00:14:24,720
So writing has been an outpouring of emotion for you.

385
00:14:24,720 --> 00:14:26,640
- Yeah, I think it's like,

386
00:14:26,640 --> 00:14:28,480
when you're starring in comedy,

387
00:14:28,480 --> 00:14:30,280
it's a mixture of your writing,

388
00:14:30,280 --> 00:14:32,120
it could eventually not say what there's rules,

389
00:14:32,120 --> 00:14:33,640
but then there's also kind of like,

390
00:14:33,640 --> 00:14:36,200
it's like a puzzle piece,

391
00:14:36,200 --> 00:14:38,360
'cause you're trying to like get to a joke,

392
00:14:38,360 --> 00:14:40,600
but also you have to tell us for you,

393
00:14:40,600 --> 00:14:42,280
'cause like, and the story should be entertained,

394
00:14:42,280 --> 00:14:43,760
even if there were no jokes.

395
00:14:43,760 --> 00:14:44,720
So even if you didn't laugh,

396
00:14:44,720 --> 00:14:47,120
I think you should kind of still be able to like,

397
00:14:47,120 --> 00:14:48,440
I don't know what I enjoy it.

398
00:14:48,440 --> 00:14:50,800
So I started doing that.

399
00:14:50,800 --> 00:14:51,760
And once I started doing that,

400
00:14:51,760 --> 00:14:53,360
I just kind of had to write it more.

401
00:14:53,360 --> 00:14:55,600
And then I was like, well,

402
00:14:55,600 --> 00:14:58,120
I don't know if I really want only right-spirit blade sign

403
00:14:58,120 --> 00:15:00,680
to sometimes right-street blades of my own.

404
00:15:00,680 --> 00:15:02,200
But I was like, there's some,

405
00:15:02,200 --> 00:15:04,800
there's some like topics that I just like to write essays for.

406
00:15:04,800 --> 00:15:06,520
And then I started reading,

407
00:15:06,520 --> 00:15:08,800
and I think also when I was at Sony,

408
00:15:08,800 --> 00:15:12,400
there was a movie, the division made it called Downtown Owl,

409
00:15:12,400 --> 00:15:15,680
which is an adaptation of a novel that Chuck Clawsterry wrote.

410
00:15:15,680 --> 00:15:19,000
And Chuck Clawsterry has become one of my favorite writers.

411
00:15:19,000 --> 00:15:20,840
I think when they created that movie,

412
00:15:20,840 --> 00:15:22,280
based on his book,

413
00:15:22,280 --> 00:15:23,840
King King back up in my,

414
00:15:23,840 --> 00:15:27,840
I guess just like my radar.

415
00:15:27,840 --> 00:15:29,600
And so I've been reading a lot of his stuff lately,

416
00:15:29,600 --> 00:15:31,120
and I like the way he writes,

417
00:15:31,120 --> 00:15:33,440
he disparates himself as a generalist.

418
00:15:33,440 --> 00:15:35,760
So sometimes he'll write these,

419
00:15:35,760 --> 00:15:36,800
not sometimes.

420
00:15:36,800 --> 00:15:39,160
So what he'll do is he'll write these really interesting pop

421
00:15:39,160 --> 00:15:41,200
cultural essays.

422
00:15:41,200 --> 00:15:43,680
And there'll be about all sorts of things.

423
00:15:43,680 --> 00:15:44,720
There'll be about football,

424
00:15:44,720 --> 00:15:49,480
it'll be about why Nerfana decided to make Inuita Rwanda,

425
00:15:49,480 --> 00:15:52,680
an album, it'll be about Kirk Vandes in authentic.

426
00:15:52,680 --> 00:15:53,800
- Yeah. - It'll be,

427
00:15:53,800 --> 00:15:55,920
it's just like random, different things.

428
00:15:55,920 --> 00:15:58,480
- Unbound. - Unbound, right.

429
00:15:58,480 --> 00:16:00,080
- Love it. - And like every now and then

430
00:16:00,080 --> 00:16:01,400
it'll be something like profound

431
00:16:01,400 --> 00:16:03,280
and he got there, you do using something

432
00:16:03,280 --> 00:16:04,680
go better or get there.

433
00:16:04,680 --> 00:16:05,520
- And I love that.

434
00:16:05,520 --> 00:16:06,920
I also need to go to something smart

435
00:16:06,920 --> 00:16:08,680
and apply it to something a little bit.

436
00:16:08,680 --> 00:16:09,960
And he just didn't take,

437
00:16:09,960 --> 00:16:12,200
it's like a cool, Jeff's acquisition.

438
00:16:12,200 --> 00:16:13,760
- Yeah, that's awesome.

439
00:16:13,760 --> 00:16:14,600
Now I love that.

440
00:16:14,600 --> 00:16:16,840
Does that kind of carry over,

441
00:16:16,840 --> 00:16:18,920
you're a music producer, your composer,

442
00:16:18,920 --> 00:16:21,560
like when you're creating music too?

443
00:16:21,560 --> 00:16:22,840
- Yeah, I definitely think so,

444
00:16:22,840 --> 00:16:25,800
because I think that I, a product of internet

445
00:16:25,800 --> 00:16:29,800
and millennial, a lot of the art that I like know about

446
00:16:29,800 --> 00:16:30,960
is from Wikipedia.

447
00:16:32,120 --> 00:16:34,800
I just do a guy like, you know, go out with me,

448
00:16:34,800 --> 00:16:35,800
and he's going to do a lot of,

449
00:16:35,800 --> 00:16:36,560
do you know I find you still put

450
00:16:36,560 --> 00:16:37,760
the Wikipedia game in college?

451
00:16:37,760 --> 00:16:39,080
I'm also a little bit nervous.

452
00:16:39,080 --> 00:16:40,120
Was I still doing, like,

453
00:16:40,120 --> 00:16:41,760
60 degrees of separation with Wikipedia?

454
00:16:41,760 --> 00:16:42,760
- Oh yeah.

455
00:16:42,760 --> 00:16:43,600
- I love that.

456
00:16:43,600 --> 00:16:46,080
- I do, I get in so many Wikipedia holes.

457
00:16:46,080 --> 00:16:47,480
I'll just be laying there in bed.

458
00:16:47,480 --> 00:16:49,480
And I'm like, why did I read the entire plot

459
00:16:49,480 --> 00:16:51,400
of this movie I've never seen?

460
00:16:51,400 --> 00:16:52,400
(laughing)

461
00:16:52,400 --> 00:16:54,720
- And I think one of the things about that

462
00:16:54,720 --> 00:16:58,000
where it does is maybe like, if someone,

463
00:16:58,000 --> 00:16:59,320
I got my thinking always,

464
00:16:59,320 --> 00:17:01,720
I'm like, maybe when my dad heard it,

465
00:17:01,720 --> 00:17:03,800
he didn't hear all the context.

466
00:17:03,800 --> 00:17:05,280
He just heard the music.

467
00:17:05,280 --> 00:17:07,920
But now when, you know, I read about

468
00:17:07,920 --> 00:17:09,840
Patty Smith's forces,

469
00:17:09,840 --> 00:17:11,400
by the time I'm done with the Wikipedia album,

470
00:17:11,400 --> 00:17:13,320
I have no problem more about the album.

471
00:17:13,320 --> 00:17:15,960
Some people listen to the album for decades.

472
00:17:15,960 --> 00:17:16,960
(laughing)

473
00:17:16,960 --> 00:17:18,280
So then, and then you like,

474
00:17:18,280 --> 00:17:19,560
we'll dive into the album.

475
00:17:19,560 --> 00:17:21,640
And then, and like, I remember like,

476
00:17:21,640 --> 00:17:23,000
what this experience looks like in real life,

477
00:17:23,000 --> 00:17:24,240
like I never one time,

478
00:17:24,240 --> 00:17:28,800
I was writing a list of like, best total rock albums,

479
00:17:28,800 --> 00:17:31,440
which is like a term that only the music critic

480
00:17:31,440 --> 00:17:34,400
is applying to music after the fact, right?

481
00:17:34,400 --> 00:17:37,240
And then, and then, and then I think one time,

482
00:17:37,240 --> 00:17:39,240
I said, "Protol," I used the phrase "Protol Punk"

483
00:17:39,240 --> 00:17:41,000
'cause sometimes someone might work

484
00:17:41,000 --> 00:17:43,280
instead of like, Patty Smith to be "Protol Punk"

485
00:17:43,280 --> 00:17:45,520
not necessarily, kind of, whatever.

486
00:17:45,520 --> 00:17:47,920
But I wrote something like that on the Instagram,

487
00:17:47,920 --> 00:17:50,000
and they're like, "Older person in group with Patty."

488
00:17:50,000 --> 00:17:51,400
So it was like, "What's?"

489
00:17:51,400 --> 00:17:52,240
(laughing)

490
00:17:52,240 --> 00:17:53,080
What is this phrase?

491
00:17:53,080 --> 00:17:54,720
I never heard of this in my life.

492
00:17:54,720 --> 00:17:55,800
- You made that up.

493
00:17:55,800 --> 00:17:57,280
- Yeah, correct, correct.

494
00:17:57,280 --> 00:17:59,480
So it's like, I think that's interesting.

495
00:17:59,480 --> 00:18:01,640
But like, so I think, not because I've written these essays,

496
00:18:01,640 --> 00:18:03,240
I kind of think about like, well,

497
00:18:03,240 --> 00:18:08,000
it definitely happened in intellectualized approach to art.

498
00:18:08,000 --> 00:18:10,840
So I think it's like, it's interesting,

499
00:18:10,840 --> 00:18:13,280
'cause George Lucas is releasing this museum

500
00:18:13,280 --> 00:18:14,560
out here called the museum,

501
00:18:14,560 --> 00:18:18,680
that I remember, but he, he had said like,

502
00:18:18,680 --> 00:18:22,360
well, I want to call it a museum for orphanage art,

503
00:18:22,360 --> 00:18:26,000
as it's like, you know, people kind of looked down upon

504
00:18:26,000 --> 00:18:29,240
where art is viewed, so I want to give it a museum

505
00:18:29,240 --> 00:18:30,320
just for that.

506
00:18:30,320 --> 00:18:31,600
- So I like that.

507
00:18:31,600 --> 00:18:33,320
- Yeah, it's an interesting idea, but I'm wondering,

508
00:18:33,320 --> 00:18:35,720
I'm like, well, that's like a definitely generational thing,

509
00:18:35,720 --> 00:18:38,960
because I'm like, we've grown up consuming all sorts

510
00:18:38,960 --> 00:18:42,000
of pretentious analysis of very low-brow art.

511
00:18:42,000 --> 00:18:45,400
Like, I can go on YouTube and watch like a three hour dive

512
00:18:45,400 --> 00:18:47,440
into the Star Wars World War,

513
00:18:47,440 --> 00:18:49,960
and the person who made it is like a master's

514
00:18:49,960 --> 00:18:52,320
educated person who put the museum in the USA.

515
00:18:52,320 --> 00:18:53,840
So I'm like, I'm wondering, I'm like,

516
00:18:53,840 --> 00:18:56,560
I feel like we have a more analytical approach

517
00:18:56,560 --> 00:18:59,000
to even low-brow art than like,

518
00:18:59,000 --> 00:19:00,240
we did in the past.

519
00:19:00,240 --> 00:19:02,240
So I guess it's like, now I feel like,

520
00:19:02,240 --> 00:19:04,880
it's not so uncommon to get like an essay,

521
00:19:04,880 --> 00:19:06,520
it's like a truck pass journey.

522
00:19:06,520 --> 00:19:10,840
So I've been like, what I like writing about in this is those

523
00:19:10,840 --> 00:19:14,480
that, so right now, I've started getting happy

524
00:19:14,480 --> 00:19:18,480
of trying to write more about the business of entertainment too,

525
00:19:18,480 --> 00:19:20,440
and using LinkedIn as a way to kind of,

526
00:19:20,440 --> 00:19:21,960
because my network includes a lot of executions

527
00:19:21,960 --> 00:19:24,560
and like, pretty soon, kind of talking about it,

528
00:19:24,560 --> 00:19:27,760
you and I say, they're, and I've found it to be

529
00:19:27,760 --> 00:19:29,640
a very high experience.

530
00:19:29,640 --> 00:19:32,240
You learn a lot, and sometimes there's a phrase

531
00:19:32,240 --> 00:19:33,560
that Chris never gets into, which is,

532
00:19:33,560 --> 00:19:35,000
sometimes you don't know what you believe

533
00:19:35,000 --> 00:19:36,640
until you write it down.

534
00:19:36,640 --> 00:19:39,440
Like, you kind of think you believe in certain things,

535
00:19:39,440 --> 00:19:41,840
and you think you have a certain process or something,

536
00:19:41,840 --> 00:19:43,880
but then sometimes when you write an essay,

537
00:19:43,880 --> 00:19:46,520
you're like, do I actually play this?

538
00:19:46,520 --> 00:19:48,880
Or when you're weighing your thoughts out,

539
00:19:48,880 --> 00:19:51,120
you're like, is this actually gonna,

540
00:19:51,120 --> 00:19:53,880
like I want to, at LA La Mena,

541
00:19:53,880 --> 00:19:56,240
you talk about the Jesuit retreat sometimes.

542
00:19:56,240 --> 00:19:58,200
So, 'cause it's like the Jesuit's one in the university.

543
00:19:58,200 --> 00:19:59,040
- Yeah.

544
00:19:59,040 --> 00:20:01,120
- So like, you talk Augustine, and so,

545
00:20:01,120 --> 00:20:02,040
saying Augustine, I was like,

546
00:20:02,040 --> 00:20:05,200
we have a way to argue, it's where it's,

547
00:20:05,200 --> 00:20:06,800
okay, we're gonna say this, we're gonna say this,

548
00:20:06,800 --> 00:20:09,200
we're gonna say this, and because we said all this,

549
00:20:09,200 --> 00:20:11,200
actually the conclusions this.

550
00:20:11,200 --> 00:20:14,440
I think that, and the exercise of forcing yourself

551
00:20:14,440 --> 00:20:17,960
to do that and writing, I think clarifies you thinking.

552
00:20:17,960 --> 00:20:20,320
So, I like that.

553
00:20:20,320 --> 00:20:22,960
I think it was, oh gosh, you want to talk a low-brow.

554
00:20:22,960 --> 00:20:25,440
Matt Stone or Trey Parker.

555
00:20:25,440 --> 00:20:26,280
- There you go.

556
00:20:26,280 --> 00:20:30,360
- That was like, right, when you're creating an episode,

557
00:20:30,360 --> 00:20:32,520
like when they're creating an episode of South Park,

558
00:20:32,520 --> 00:20:35,680
they want their process to go, this happens,

559
00:20:35,680 --> 00:20:39,560
and therefore this happens, and therefore this happens.

560
00:20:39,560 --> 00:20:40,400
- Yes.

561
00:20:40,400 --> 00:20:42,080
- Instead of, you know, sometimes you watch a movie,

562
00:20:42,080 --> 00:20:45,200
and you're like, instead of the therefore they do and.

563
00:20:45,200 --> 00:20:48,040
And this happens, and this happens, and this happens,

564
00:20:48,040 --> 00:20:50,160
and there's no, you know, conclusion,

565
00:20:50,160 --> 00:20:52,320
it doesn't make sense, it has to be a therefore,

566
00:20:52,320 --> 00:20:54,600
this leads to this, therefore this happens,

567
00:20:54,600 --> 00:20:55,600
therefore that happens.

568
00:20:55,600 --> 00:20:56,600
So, I can see that.

569
00:20:56,600 --> 00:20:57,440
- That's a genius.

570
00:20:57,440 --> 00:20:58,280
It's true, right?

571
00:20:58,280 --> 00:20:59,120
You've got to be blessed at the gate.

572
00:20:59,120 --> 00:21:00,840
That's like, that's a privilege.

573
00:21:00,840 --> 00:21:02,960
- Yeah, I think about that all the time

574
00:21:02,960 --> 00:21:05,720
when I watch films and you know, even television shows,

575
00:21:05,720 --> 00:21:07,400
I'm like, are they just throwing things at the wall

576
00:21:07,400 --> 00:21:11,320
and then and then, or is it, therefore, and therefore?

577
00:21:11,320 --> 00:21:15,680
- Every now and then, and then will be an interesting movie,

578
00:21:15,680 --> 00:21:18,760
every now and then, but it's like, it's not,

579
00:21:18,760 --> 00:21:20,280
it's not awesome, but every now and then.

580
00:21:20,280 --> 00:21:22,320
- Yeah, if it's like absurdist comedy,

581
00:21:22,320 --> 00:21:23,840
it's just like, and then they do this,

582
00:21:23,840 --> 00:21:25,320
and then they go there.

583
00:21:25,320 --> 00:21:30,320
- Yeah, and then, and then, and then, yeah.

584
00:21:30,320 --> 00:21:35,200
- What is the Academy Awards Gold Program,

585
00:21:35,200 --> 00:21:37,400
and how does one become a member?

586
00:21:37,400 --> 00:21:39,680
- So, you can apply to it.

587
00:21:39,680 --> 00:21:42,280
I sort of applied to it.

588
00:21:42,280 --> 00:21:44,880
So, when I was made an internet tummy,

589
00:21:44,880 --> 00:21:46,360
it kind of went in this program

590
00:21:46,360 --> 00:21:48,240
so that I was concurrently,

591
00:21:48,240 --> 00:21:49,360
so I was an internet sony,

592
00:21:49,360 --> 00:21:51,080
and that I was also placed into this program.

593
00:21:51,080 --> 00:21:53,800
So, with the Academy Awards data was,

594
00:21:53,800 --> 00:21:55,280
they did this like in the wave

595
00:21:55,280 --> 00:21:57,480
when they were diversifying their body,

596
00:21:57,480 --> 00:21:59,480
they diversified the voting numbers,

597
00:21:59,480 --> 00:22:02,840
and then they created like a workforce pipeline

598
00:22:02,840 --> 00:22:06,120
with the intention of helping to diversify the industry.

599
00:22:06,120 --> 00:22:07,200
And one of the ways that they did that

600
00:22:07,200 --> 00:22:10,560
were they took a ton of the interns

601
00:22:10,560 --> 00:22:12,360
who were interning at different companies

602
00:22:12,360 --> 00:22:14,040
all around the industry,

603
00:22:14,040 --> 00:22:17,360
and while they were interning at those respective companies,

604
00:22:17,360 --> 00:22:19,680
they were then meeting every week.

605
00:22:19,680 --> 00:22:22,520
Yeah, a few times a week for eight weeks

606
00:22:22,520 --> 00:22:24,760
at the Academy's building,

607
00:22:24,760 --> 00:22:28,520
and that was a way of speeding up the networking process

608
00:22:28,520 --> 00:22:30,440
of different folks in the industry.

609
00:22:30,440 --> 00:22:32,240
And I'd say that like,

610
00:22:32,240 --> 00:22:33,920
I don't know how, I mean,

611
00:22:33,920 --> 00:22:35,680
I don't know how easy it is to get into the program,

612
00:22:35,680 --> 00:22:37,560
they kind of put me into the program,

613
00:22:37,560 --> 00:22:39,480
and I was like, okay, cool,

614
00:22:39,480 --> 00:22:41,320
because it was like, when I was doing it,

615
00:22:41,320 --> 00:22:42,040
it was like the second,

616
00:22:42,040 --> 00:22:44,760
the third year that they were doing it,

617
00:22:44,760 --> 00:22:45,720
it was a really good program

618
00:22:45,720 --> 00:22:47,560
'cause they fed us every time, what,

619
00:22:47,560 --> 00:22:48,400
which was great.

620
00:22:48,400 --> 00:22:49,240
(laughing)

621
00:22:49,240 --> 00:22:50,240
- Love it.

622
00:22:50,240 --> 00:22:52,440
- Yeah, 'cause you were leaving like one internship

623
00:22:52,440 --> 00:22:53,880
at six, going to traffic,

624
00:22:53,880 --> 00:22:55,160
and you get there and you're starving,

625
00:22:55,160 --> 00:22:56,480
and we were like, oh, thank God.

626
00:22:56,480 --> 00:22:57,680
(laughing)

627
00:22:57,680 --> 00:23:00,960
I know it was a really good program.

628
00:23:00,960 --> 00:23:01,800
It goes on.

629
00:23:01,800 --> 00:23:03,760
You got to like,

630
00:23:03,760 --> 00:23:06,080
they got to show you different parts of the business,

631
00:23:06,080 --> 00:23:07,400
different folks on the business

632
00:23:07,400 --> 00:23:08,400
will come and lecture to you.

633
00:23:08,400 --> 00:23:11,440
So like, you know, those are guys from Disky Day Accounting,

634
00:23:11,440 --> 00:23:12,320
and you like,

635
00:23:12,320 --> 00:23:14,360
open up movie magic budgeting and stuff.

636
00:23:14,360 --> 00:23:15,640
This is how it was put.

637
00:23:15,640 --> 00:23:19,480
You got, so it was like really hands on,

638
00:23:19,480 --> 00:23:21,800
and also the relationships that you build

639
00:23:21,800 --> 00:23:23,000
with that program.

640
00:23:23,000 --> 00:23:23,840
They're really great.

641
00:23:23,840 --> 00:23:25,560
And the other thing too is that because

642
00:23:25,560 --> 00:23:29,920
there's a new class of a character in gold interns every year,

643
00:23:29,920 --> 00:23:31,720
it's a very easy way for someone

644
00:23:31,720 --> 00:23:33,680
like I was class at turn like day.

645
00:23:33,680 --> 00:23:35,520
I could reach out to someone from 18 class

646
00:23:35,520 --> 00:23:36,520
or one of the classes asked me,

647
00:23:36,520 --> 00:23:38,320
"Hey, we're both in California, go."

648
00:23:38,320 --> 00:23:40,280
And for the most part, they want to talk to you

649
00:23:40,280 --> 00:23:42,640
'cause it kind of like, you're similar folks.

650
00:23:42,640 --> 00:23:45,080
So it was like,

651
00:23:45,080 --> 00:23:47,720
it's an underrated, but very ingenious thing

652
00:23:47,720 --> 00:23:50,160
that we had in the academy put together,

653
00:23:50,160 --> 00:23:52,040
and it was all managed by the sky.

654
00:23:52,040 --> 00:23:53,200
I kept on only saying,

655
00:23:53,200 --> 00:23:55,640
"You said a very sweet white man named Randy."

656
00:23:55,640 --> 00:23:57,920
And he was really curious about it.

657
00:23:57,920 --> 00:23:59,680
He gets a great emotional talking about it.

658
00:23:59,680 --> 00:24:01,760
I haven't seen what he does.

659
00:24:01,760 --> 00:24:03,720
'Cause it's a really good program.

660
00:24:03,720 --> 00:24:04,560
- That's amazing.

661
00:24:04,560 --> 00:24:06,640
Did you ever get to go to the Academy Awards?

662
00:24:06,640 --> 00:24:07,480
- Not yet.

663
00:24:07,480 --> 00:24:09,160
Some of the people who have been in the program,

664
00:24:09,160 --> 00:24:11,520
they've gotten to hand out auskars and things like that

665
00:24:11,520 --> 00:24:13,520
'cause did you get opportunities to do that

666
00:24:13,520 --> 00:24:15,080
with the program?

667
00:24:15,080 --> 00:24:17,240
You have not got yet constantly counted with.

668
00:24:17,240 --> 00:24:18,360
It's on bucket list.

669
00:24:18,360 --> 00:24:19,200
I guess I gotta get not.

670
00:24:19,200 --> 00:24:20,040
- I'm done.

671
00:24:20,040 --> 00:24:21,560
- Yeah.

672
00:24:21,560 --> 00:24:22,400
- Awesome.

673
00:24:22,400 --> 00:24:24,080
We are gonna take a quick break,

674
00:24:24,080 --> 00:24:27,120
and then we wanna dive in with you about this James Bond essay

675
00:24:27,120 --> 00:24:27,960
that you're working on.

676
00:24:27,960 --> 00:24:28,800
- Oh yes.

677
00:24:28,800 --> 00:24:31,280
- So, yeah, we will do that right after the break.

678
00:24:31,280 --> 00:24:34,040
(dramatic music)

679
00:24:34,040 --> 00:24:38,840
And we are back at the Pop Culture Junkie podcast

680
00:24:38,840 --> 00:24:41,880
with our special guest, Daniel D. Boulay.

681
00:24:41,880 --> 00:24:45,600
You are currently writing a essay about James Bond

682
00:24:45,600 --> 00:24:47,120
for the Splice.

683
00:24:47,120 --> 00:24:50,280
Tell us about that as much as you can.

684
00:24:50,280 --> 00:24:53,360
- Well, this very thing is, so like,

685
00:24:53,360 --> 00:24:55,360
I've been writing for him,

686
00:24:55,360 --> 00:24:56,840
I guess it's like writing for the editor,

687
00:24:56,840 --> 00:24:58,220
a man by name, but Jimmy,

688
00:24:58,220 --> 00:25:00,640
of the Splice, which is like a UK based,

689
00:25:00,640 --> 00:25:04,680
but we use publications.

690
00:25:04,680 --> 00:25:07,760
And so I wrote a review for him of a leader

691
00:25:07,760 --> 00:25:09,200
on Jeekel's album.

692
00:25:09,200 --> 00:25:10,800
He really liked that.

693
00:25:10,800 --> 00:25:13,160
And with leader on you,

694
00:25:13,160 --> 00:25:15,640
this POT, he liked it too, 'cause I really loved it.

695
00:25:15,640 --> 00:25:18,880
So then, and my view of it is very pretentious.

696
00:25:18,880 --> 00:25:21,120
So I'm, I hope she's still using it.

697
00:25:21,120 --> 00:25:22,280
(laughing)

698
00:25:22,280 --> 00:25:25,720
So then, I mean, she made it easy with the cure.

699
00:25:25,720 --> 00:25:28,600
But like, after I did that,

700
00:25:28,600 --> 00:25:31,080
he was like, "Oh, you should do one on James Bond."

701
00:25:31,080 --> 00:25:34,680
Because he had seen something I written about,

702
00:25:34,680 --> 00:25:38,000
spy movies that aren't Mike James Bond.

703
00:25:38,000 --> 00:25:40,720
And the funny thing is that I was saying,

704
00:25:40,720 --> 00:25:41,960
it's like he picked up on an argument

705
00:25:41,960 --> 00:25:43,840
that we wasn't making.

706
00:25:43,840 --> 00:25:46,080
So then, like, 'cause he was like,

707
00:25:46,080 --> 00:25:49,800
"Oh, you're comparing spy fiction to like high literature."

708
00:25:49,800 --> 00:25:51,880
But I really wasn't comparing James Bond to Highwood,

709
00:25:51,880 --> 00:25:53,280
so I was comparing it like,

710
00:25:53,280 --> 00:25:56,320
and there's spy movies, "Ti-Low-Witcher."

711
00:25:56,320 --> 00:25:58,440
And I was, at the time, saying that James Bond

712
00:25:58,440 --> 00:26:00,200
is low literature.

713
00:26:00,200 --> 00:26:02,640
It's a joke.

714
00:26:02,640 --> 00:26:04,960
And so, I wrote a draft of it

715
00:26:04,960 --> 00:26:07,640
that more reflected what I think is James Bond.

716
00:26:07,640 --> 00:26:08,960
So now, I have to send,

717
00:26:08,960 --> 00:26:10,480
I have to still finish this draft,

718
00:26:10,480 --> 00:26:11,800
'cause they have to finish,

719
00:26:11,800 --> 00:26:12,800
I have to finish doing the version

720
00:26:12,800 --> 00:26:13,640
that he wants to read.

721
00:26:13,640 --> 00:26:16,440
'Cause he was like, "I don't want my article,

722
00:26:16,440 --> 00:26:19,320
"my public fiction to be so political."

723
00:26:19,320 --> 00:26:20,800
But in my view of James Bond--

724
00:26:20,800 --> 00:26:21,840
- Well, shit.

725
00:26:21,840 --> 00:26:23,560
Yeah, share it on the pop culture drug.

726
00:26:23,560 --> 00:26:24,400
- Yeah, that's it.

727
00:26:24,400 --> 00:26:25,240
We love politics here.

728
00:26:25,240 --> 00:26:26,080
- We love politics here.

729
00:26:26,080 --> 00:26:26,920
- We love politics here.

730
00:26:26,920 --> 00:26:29,040
- I know, he's, so like, in my,

731
00:26:29,040 --> 00:26:29,880
and that's what I would say.

732
00:26:29,880 --> 00:26:31,320
So I was like, in my view of James Bond,

733
00:26:31,320 --> 00:26:32,680
he's like, proper gambler.

734
00:26:32,680 --> 00:26:34,120
He's political pro gambler.

735
00:26:34,120 --> 00:26:34,960
- Okay.

736
00:26:34,960 --> 00:26:35,800
- Yeah.

737
00:26:35,800 --> 00:26:38,640
- 'Cause there's a few things about the history of James Bond.

738
00:26:38,640 --> 00:26:41,920
One is, so he and funny, he was a spy,

739
00:26:41,920 --> 00:26:43,640
that he was a journalist.

740
00:26:43,640 --> 00:26:46,240
He wasn't better than Turkey at one point.

741
00:26:46,240 --> 00:26:48,680
So sometimes, and one of the things that he does

742
00:26:48,680 --> 00:26:50,840
in some of his novels is he'll,

743
00:26:50,840 --> 00:26:53,720
he'll like, regurgitate political talking points

744
00:26:53,720 --> 00:26:55,120
that he knows are wrong.

745
00:26:55,120 --> 00:26:59,840
So like, in, from Russia with love,

746
00:26:59,840 --> 00:27:01,920
in the novel itself,

747
00:27:01,920 --> 00:27:03,720
James Bond says something casually

748
00:27:03,720 --> 00:27:04,880
about like how the communist

749
00:27:04,880 --> 00:27:07,000
caused all these riots in Turkey.

750
00:27:07,000 --> 00:27:10,000
But we know that that's not what happened.

751
00:27:10,000 --> 00:27:11,160
That's necessary.

752
00:27:11,960 --> 00:27:14,440
So it's like, the one thing that influenced me is,

753
00:27:14,440 --> 00:27:16,800
it's like, he is a, he is a colonizer.

754
00:27:16,800 --> 00:27:17,640
Like that was his job.

755
00:27:17,640 --> 00:27:19,120
Like he was a British spy.

756
00:27:19,120 --> 00:27:20,320
So there's like, yeah.

757
00:27:20,320 --> 00:27:22,000
It's like, it's not even like,

758
00:27:22,000 --> 00:27:23,280
all like putting a,

759
00:27:23,280 --> 00:27:26,040
a U from this and one putting like a negative bias there.

760
00:27:26,040 --> 00:27:27,680
Like, that's what his job was.

761
00:27:27,680 --> 00:27:28,680
So there's that.

762
00:27:28,680 --> 00:27:30,440
The other thing is, is that he was a journalist.

763
00:27:30,440 --> 00:27:33,800
So he knew how to convey these ideas

764
00:27:33,800 --> 00:27:35,040
to like the public,

765
00:27:35,040 --> 00:27:39,280
in a very entertaining way.

766
00:27:39,280 --> 00:27:42,760
But he sort of, I think he's sort of like a frog

767
00:27:42,760 --> 00:27:46,240
because he was educated at some of the world's

768
00:27:46,240 --> 00:27:47,480
best universities.

769
00:27:47,480 --> 00:27:48,880
I appreciate his even educated.

770
00:27:48,880 --> 00:27:51,080
So for those who don't know,

771
00:27:51,080 --> 00:27:53,840
like if you're, if you're a British in college school,

772
00:27:53,840 --> 00:27:55,520
even there are certain schools,

773
00:27:55,520 --> 00:27:57,400
a kind of reinforced class.

774
00:27:57,400 --> 00:27:58,640
So if he was going to them,

775
00:27:58,640 --> 00:28:01,880
he was learning the reclassic to all these things.

776
00:28:01,880 --> 00:28:03,800
But then when he came down to writing

777
00:28:03,800 --> 00:28:06,160
the James Bond novels,

778
00:28:06,160 --> 00:28:09,520
the James Bond novels are really for an audience.

779
00:28:09,520 --> 00:28:10,920
So if we were,

780
00:28:10,920 --> 00:28:12,560
if we were to contemporaries them,

781
00:28:12,560 --> 00:28:14,320
they would be Brexit voters.

782
00:28:14,320 --> 00:28:17,840
And like, none of those are cool that,

783
00:28:17,840 --> 00:28:18,680
in my research,

784
00:28:18,680 --> 00:28:20,720
at Christopher Hitch was right about James Bond once.

785
00:28:20,720 --> 00:28:21,960
He was like,

786
00:28:21,960 --> 00:28:25,760
James Bond just expresses massive global penis envy.

787
00:28:25,760 --> 00:28:27,960
He's like, that's what James Bond is.

788
00:28:27,960 --> 00:28:32,960
It's like, you have the British empire is basically irrelevant.

789
00:28:34,000 --> 00:28:37,680
And so he's invented this propaganda figure

790
00:28:37,680 --> 00:28:40,840
of this guy going around the world.

791
00:28:40,840 --> 00:28:42,720
He's the most important person in every room,

792
00:28:42,720 --> 00:28:44,280
all the little one hand,

793
00:28:44,280 --> 00:28:46,320
every man lost a B.M.

794
00:28:46,320 --> 00:28:49,360
And it's just like, it's all BS.

795
00:28:49,360 --> 00:28:52,000
And the irony of all this is,

796
00:28:52,000 --> 00:28:54,920
all of this is made with the idea of kind of

797
00:28:54,920 --> 00:28:58,720
undermining America's glory and influence in the world.

798
00:28:58,720 --> 00:29:01,200
So it's like, that's what James Bond is really kind of

799
00:29:01,200 --> 00:29:02,560
speaking towards.

800
00:29:02,560 --> 00:29:03,920
So now he's owned by Amazon.

801
00:29:03,920 --> 00:29:06,400
That's like the most American thing you can have.

802
00:29:06,400 --> 00:29:07,960
Yeah, it's a question.

803
00:29:07,960 --> 00:29:09,280
Kind of ironic there.

804
00:29:09,280 --> 00:29:10,960
When they make the next movies,

805
00:29:10,960 --> 00:29:13,600
do you think they're going to make it more sympathetic

806
00:29:13,600 --> 00:29:16,880
to American leanings?

807
00:29:16,880 --> 00:29:19,560
Well, what I would argue is that

808
00:29:19,560 --> 00:29:23,320
there's been this process between the novels

809
00:29:23,320 --> 00:29:27,280
and the movies where now the movies are

810
00:29:27,280 --> 00:29:29,360
district in the books in a lot of ways.

811
00:29:29,360 --> 00:29:32,280
So because as James Bond is more of business

812
00:29:32,280 --> 00:29:33,120
than anything else.

813
00:29:33,120 --> 00:29:35,240
So there's a time for us to make

814
00:29:35,240 --> 00:29:37,080
Roberto Echo.

815
00:29:37,080 --> 00:29:38,280
I think it's made.

816
00:29:38,280 --> 00:29:40,760
So if he kind of said that James Bond is less of a character

817
00:29:40,760 --> 00:29:42,560
and we'll just say, "How are we going?"

818
00:29:42,560 --> 00:29:43,840
And what he says is,

819
00:29:43,840 --> 00:29:45,920
James Bond is a shoes of oppositions.

820
00:29:45,920 --> 00:29:48,600
There's Bond versus Emmy, which is his boss.

821
00:29:48,600 --> 00:29:50,320
There's Bond versus the villain.

822
00:29:50,320 --> 00:29:54,600
There's the idea of duty versus comfort,

823
00:29:54,600 --> 00:29:56,120
service versus luxury.

824
00:29:56,120 --> 00:29:57,560
And he's like, "That's it."

825
00:29:57,560 --> 00:30:00,320
He's like, "Nobody watches a James Bond movie

826
00:30:00,320 --> 00:30:02,080
expecting a surprise.

827
00:30:02,080 --> 00:30:03,880
They kind of watch it like they're watching

828
00:30:03,880 --> 00:30:07,200
a basketball movie where the score is besides the point.

829
00:30:07,200 --> 00:30:10,880
There's been during watching the sport of this set."

830
00:30:10,880 --> 00:30:15,160
And so there's that aspect to James Bond.

831
00:30:15,160 --> 00:30:18,720
And one of the things that Roberto Echo says is,

832
00:30:18,720 --> 00:30:22,080
"Any time you can identify something without its creator,

833
00:30:22,080 --> 00:30:23,640
that's when something becomes an algorithm,

834
00:30:23,640 --> 00:30:25,120
that's when it becomes an asset."

835
00:30:25,120 --> 00:30:29,600
So after you're in for like, "Dies,

836
00:30:29,600 --> 00:30:32,560
we're able to kind of recreate this James Bond experience

837
00:30:32,560 --> 00:30:37,560
without, 'cause it's really like a hollow creation

838
00:30:37,560 --> 00:30:39,080
that he created."

839
00:30:39,080 --> 00:30:41,320
'Cause one of the things that happens is,

840
00:30:41,320 --> 00:30:42,120
so if in the novel,

841
00:30:42,120 --> 00:30:44,760
she's writing these books for essentially a racist

842
00:30:44,760 --> 00:30:47,280
and sexist misogynistic on audience.

843
00:30:47,280 --> 00:30:48,600
- Yeah.

844
00:30:48,600 --> 00:30:51,200
- And I think also in my view of James Bond,

845
00:30:51,200 --> 00:30:53,240
you can't really separate the misogyny

846
00:30:53,240 --> 00:30:54,760
from the colonizing.

847
00:30:54,760 --> 00:30:56,320
I think they go hand-to-hand.

848
00:30:56,320 --> 00:30:58,080
- Yeah, 100%.

849
00:30:58,080 --> 00:31:00,160
- Like, 'cause he's literally just going around the world

850
00:31:00,160 --> 00:31:01,920
finding it's eye-convenated to look.

851
00:31:01,920 --> 00:31:04,400
And so it's like a heart to separate it.

852
00:31:04,400 --> 00:31:05,880
Like even if you wanted to,

853
00:31:05,880 --> 00:31:06,720
like it's kind of like,

854
00:31:06,720 --> 00:31:10,040
I have to turn my brain off to the unsupervised it.

855
00:31:10,040 --> 00:31:10,880
- I totally agree.

856
00:31:10,880 --> 00:31:12,480
I'll watch James Bond films.

857
00:31:12,480 --> 00:31:15,800
I've seen all of the Daniel Craig films,

858
00:31:15,800 --> 00:31:17,560
a few of the Pierce Bros, and then ones.

859
00:31:17,560 --> 00:31:19,520
You know, I'm a millennial too.

860
00:31:19,520 --> 00:31:20,360
- Yeah.

861
00:31:20,360 --> 00:31:23,360
- And it's so glaring that he,

862
00:31:23,360 --> 00:31:27,840
you know, the wealth and the status is very important.

863
00:31:27,840 --> 00:31:32,120
He's always a well-dressed, glamorous white man,

864
00:31:32,120 --> 00:31:32,960
who like you said,

865
00:31:32,960 --> 00:31:34,840
everyone in the room wants to be.

866
00:31:34,840 --> 00:31:38,240
And that he just uses and disposes women so quickly.

867
00:31:38,240 --> 00:31:42,480
Like, I was laughing at my husband and like,

868
00:31:42,480 --> 00:31:45,320
you know, no one's life is shorter than that

869
00:31:45,320 --> 00:31:47,560
of someone James Bond has sex with.

870
00:31:47,560 --> 00:31:49,040
Like, he sleeps with you.

871
00:31:49,040 --> 00:31:52,320
You are gonna die in the next 15 minutes.

872
00:31:52,320 --> 00:31:54,840
Or you'll die by the end of the movie

873
00:31:54,840 --> 00:31:58,200
to set forth his emotional journey for the next film.

874
00:31:58,200 --> 00:31:59,200
- 100%.

875
00:31:59,200 --> 00:32:01,640
And there's like, there's this interesting thing

876
00:32:01,640 --> 00:32:02,640
with these movies.

877
00:32:02,640 --> 00:32:06,440
So like, Daniel Craig's credit of all the actors

878
00:32:06,440 --> 00:32:08,520
who played James Bond, he seems to be the one

879
00:32:08,520 --> 00:32:13,320
who had the hardest time actually being James Bond.

880
00:32:13,320 --> 00:32:14,760
Like, from the way he talks about it,

881
00:32:14,760 --> 00:32:17,840
I'm sure like being being $100 million really helps.

882
00:32:17,840 --> 00:32:19,560
(laughing)

883
00:32:19,560 --> 00:32:21,240
And like, I'm sure that's why he kept doing it.

884
00:32:21,240 --> 00:32:22,640
The way he would talk about,

885
00:32:22,640 --> 00:32:24,280
it's so funny, like when you pay people

886
00:32:24,280 --> 00:32:26,760
a lot of money, sometimes you get your bills,

887
00:32:26,760 --> 00:32:29,040
just how much they don't wanna do this thing.

888
00:32:29,040 --> 00:32:29,880
- Yeah.

889
00:32:29,880 --> 00:32:31,320
- Like if you, like if there's an interview

890
00:32:31,320 --> 00:32:33,640
that Charlie Rose gave with that George Lucas

891
00:32:33,640 --> 00:32:37,560
gave of Charlie Rose, I think so as far as $4 billion.

892
00:32:37,560 --> 00:32:40,960
And I don't know if I've seen a more unhappy rich person.

893
00:32:40,960 --> 00:32:43,080
He's just like, like, miserable.

894
00:32:43,080 --> 00:32:43,920
- To see him.

895
00:32:43,920 --> 00:32:45,800
- And like, the same thing with Daniel Craig,

896
00:32:45,800 --> 00:32:47,760
when he talks about James Bond, he'll be like,

897
00:32:47,760 --> 00:32:49,800
I tried to make it more funny.

898
00:32:49,800 --> 00:32:52,400
He's like, I don't know, I tried to make it this.

899
00:32:52,400 --> 00:32:53,400
He gives these interviews,

900
00:32:53,400 --> 00:32:55,080
like I tried to do this.

901
00:32:55,080 --> 00:32:57,640
You could tell he's really uncomfortable

902
00:32:57,640 --> 00:32:59,680
with the whole thing.

903
00:32:59,680 --> 00:33:00,520
- Yeah.

904
00:33:00,520 --> 00:33:02,320
- Because you have this kind of about like the Americanism

905
00:33:02,320 --> 00:33:03,160
of it all.

906
00:33:03,160 --> 00:33:06,040
So it's like, they have Americanized James Bond

907
00:33:06,040 --> 00:33:10,480
in the sense that like, we stripped away all the things

908
00:33:10,480 --> 00:33:13,080
that made the Brexit Grover kind of into James Bond

909
00:33:13,080 --> 00:33:14,320
to begin with.

910
00:33:14,320 --> 00:33:16,040
So then now what you're really left with

911
00:33:16,040 --> 00:33:20,240
is just this idea of like a guy who likes good service,

912
00:33:20,240 --> 00:33:21,240
luxury service.

913
00:33:21,240 --> 00:33:25,040
And like, and then he's willing to do anything for the empire.

914
00:33:25,040 --> 00:33:28,280
So it's kind of, we've, we've really stripped James Bond

915
00:33:28,280 --> 00:33:31,080
of what he met because, and I thought about the space

916
00:33:31,080 --> 00:33:32,440
in the room, like when you have people

917
00:33:32,440 --> 00:33:35,720
having conversations like, why can't a woman be James Bond?

918
00:33:35,720 --> 00:33:38,240
Why can't a minority be James Bond?

919
00:33:38,240 --> 00:33:40,440
That's how deep the brainwashing goes

920
00:33:40,440 --> 00:33:43,240
because if you're asking yourself,

921
00:33:43,240 --> 00:33:46,320
like why can we diversify the propaganda

922
00:33:46,320 --> 00:33:47,840
that we're receiving?

923
00:33:47,840 --> 00:33:50,240
Then it's like, the propaganda is,

924
00:33:50,240 --> 00:33:51,960
it's really working.

925
00:33:51,960 --> 00:33:54,160
There's like a, a Jew walking around,

926
00:33:54,160 --> 00:33:55,320
I will use this to be honest,

927
00:33:55,320 --> 00:33:56,400
and it was crazy.

928
00:33:56,400 --> 00:33:58,480
But it's like, you're like a Jew walking around,

929
00:33:58,480 --> 00:34:01,520
like not seeing Jeremy and then saying like,

930
00:34:01,520 --> 00:34:04,440
why can't more black people be on the posters?

931
00:34:04,440 --> 00:34:05,280
Why can't we?

932
00:34:05,280 --> 00:34:06,560
So true, Raleigh.

933
00:34:06,560 --> 00:34:08,880
It's like, the idea is so ridiculous.

934
00:34:08,880 --> 00:34:10,960
They're like, you really caught into this propaganda.

935
00:34:10,960 --> 00:34:11,560
Yeah.

936
00:34:11,560 --> 00:34:13,840
Why can't we diversify this product

937
00:34:13,840 --> 00:34:16,960
that is literally rooted in racism and misogyny

938
00:34:16,960 --> 00:34:18,720
and classism?

939
00:34:18,720 --> 00:34:21,960
They'd be really cool if we could get a black woman in here.

940
00:34:21,960 --> 00:34:22,800
Right.

941
00:34:22,800 --> 00:34:23,640
Right.

942
00:34:23,640 --> 00:34:25,480
It's like, you know, it's like, what are we asking?

943
00:34:25,480 --> 00:34:28,160
Like, why would we want this?

944
00:34:28,160 --> 00:34:30,120
And so, and one of the things I also think

945
00:34:30,120 --> 00:34:31,720
that's weird about James Bond is he's different

946
00:34:31,720 --> 00:34:32,800
from other franchise,

947
00:34:32,800 --> 00:34:35,000
and it's because I think James Bond is true,

948
00:34:35,000 --> 00:34:36,480
like an heirloom.

949
00:34:36,480 --> 00:34:39,720
Like for instance, my dad introduced me to James Bond.

950
00:34:39,720 --> 00:34:42,160
And I think I have some vague idea

951
00:34:42,160 --> 00:34:45,160
that one day I'll introduce my own son, James Bond.

952
00:34:45,160 --> 00:34:46,160
Which is like, why?

953
00:34:46,160 --> 00:34:47,160
I don't care.

954
00:34:47,160 --> 00:34:48,800
But it's a man's man.

955
00:34:48,800 --> 00:34:49,640
Yeah, right.

956
00:34:49,640 --> 00:34:51,720
It's almost like you're passing some torch

957
00:34:51,720 --> 00:34:55,200
of like masculine heritins, introducing your kid

958
00:34:55,200 --> 00:34:57,040
to like certain things you grew up with.

959
00:34:57,040 --> 00:35:01,000
And then do this with certain, like they unconsciously do this.

960
00:35:01,000 --> 00:35:03,880
But I think James Bond is a really good example of that

961
00:35:03,880 --> 00:35:05,800
because I don't think other actual franchisees

962
00:35:05,800 --> 00:35:07,360
are really marketed that way.

963
00:35:07,360 --> 00:35:11,600
Like, I don't necessarily think my dad,

964
00:35:11,600 --> 00:35:13,560
like my dad may have shown you the mission

965
00:35:13,560 --> 00:35:16,520
and possible TV series because he's like,

966
00:35:16,520 --> 00:35:18,360
oh, I grew up watching these.

967
00:35:18,360 --> 00:35:21,160
But I feel like with James Bond because James Bond is them,

968
00:35:21,160 --> 00:35:24,920
he's like recast like the Pope every so often.

969
00:35:24,920 --> 00:35:27,640
It's kind of like this, like this tradition,

970
00:35:27,640 --> 00:35:30,680
like you have it James Bond, I have my James Bond.

971
00:35:30,680 --> 00:35:31,680
We have this together.

972
00:35:31,680 --> 00:35:34,640
It's like this weird thing that they've done.

973
00:35:34,640 --> 00:35:37,160
And it's so real because it's like in 2012,

974
00:35:37,160 --> 00:35:38,680
when the Olympics were in London,

975
00:35:38,680 --> 00:35:40,360
they had like a whole thing with Queen

976
00:35:40,360 --> 00:35:42,520
and Dan O'Kraight as James Bond.

977
00:35:42,520 --> 00:35:45,280
We're at the Olympic Games together in front of the world.

978
00:35:45,280 --> 00:35:49,080
Talk about political propaganda right there.

979
00:35:49,080 --> 00:35:53,160
Doing anything for the great empire of England.

980
00:35:53,160 --> 00:35:55,920
And the fact that like those two symbols were put together

981
00:35:55,920 --> 00:36:00,000
for the world like that, it means that, you know,

982
00:36:00,000 --> 00:36:02,800
it implies I don't want to make too much of a meaning out of it.

983
00:36:02,800 --> 00:36:05,600
But I'm like, these two symbols are almost

984
00:36:05,600 --> 00:36:07,960
of equal importance to this country

985
00:36:07,960 --> 00:36:11,640
because they're both just symbols that are fictional.

986
00:36:11,640 --> 00:36:13,720
Like the Queen and Dan O'Kraight have a real tower,

987
00:36:13,720 --> 00:36:15,640
but she means a lot to these people.

988
00:36:15,640 --> 00:36:16,480
Yeah.

989
00:36:16,480 --> 00:36:17,480
To the point that they're like, well, we're both,

990
00:36:17,480 --> 00:36:19,880
if you ask them to get those, I'm not going to keep it.

991
00:36:19,880 --> 00:36:20,720
Yeah.

992
00:36:20,720 --> 00:36:22,360
And I'm like, James Bond kind of,

993
00:36:22,360 --> 00:36:24,800
if he shows that same role,

994
00:36:24,800 --> 00:36:26,640
and it's just kind of as a, I'm a son.

995
00:36:26,640 --> 00:36:27,560
So, no.

996
00:36:27,560 --> 00:36:28,360
Yeah.

997
00:36:28,360 --> 00:36:30,280
Well, and it's interesting because James Bond

998
00:36:30,280 --> 00:36:34,720
has kind of started it in the 1960s as this propaganda

999
00:36:34,720 --> 00:36:37,640
around like capitalism versus communism.

1000
00:36:37,640 --> 00:36:38,400
And over time--

1001
00:36:38,400 --> 00:36:39,400
You mean the next of that, yeah.

1002
00:36:39,400 --> 00:36:40,120
--throw up the years.

1003
00:36:40,120 --> 00:36:42,520
Yeah, it's really moved through time based

1004
00:36:42,520 --> 00:36:45,240
on these economic anxieties, right?

1005
00:36:45,240 --> 00:36:49,040
And then now, in the later movies in the Daniel Krag movies,

1006
00:36:49,040 --> 00:36:53,400
it's like data capitalism, like technological oligarchies

1007
00:36:53,400 --> 00:36:54,560
and all of these things.

1008
00:36:54,560 --> 00:36:58,560
And it's not become communism versus capitalism.

1009
00:36:58,560 --> 00:37:01,600
It's like good capitalism versus bad capitalism.

1010
00:37:01,600 --> 00:37:02,120
Bad capitalism.

1011
00:37:02,120 --> 00:37:02,440
Bad capitalism.

1012
00:37:02,440 --> 00:37:03,440
Bad capitalism.

1013
00:37:03,440 --> 00:37:07,800
And the Western state, like a James Bond control,

1014
00:37:07,800 --> 00:37:09,680
the capitalism is the good one.

1015
00:37:09,680 --> 00:37:15,440
But it's not really asking itself, is there any good form

1016
00:37:15,440 --> 00:37:16,000
of that?

1017
00:37:16,000 --> 00:37:19,240
And what does that really look like when this man is incredibly

1018
00:37:19,240 --> 00:37:22,200
rich and he's funded by a state organization--

1019
00:37:22,200 --> 00:37:24,160
You literally come all this money.

1020
00:37:24,160 --> 00:37:26,600
Like, he's come all full circle around.

1021
00:37:26,600 --> 00:37:29,040
And it's like, wait, this man is rich from a government?

1022
00:37:29,040 --> 00:37:30,400
Are we back to communism?

1023
00:37:30,400 --> 00:37:31,800
Yeah.

1024
00:37:31,800 --> 00:37:33,280
It's true.

1025
00:37:33,280 --> 00:37:37,920
And the whole logic, what makes a James Bond villain

1026
00:37:37,920 --> 00:37:40,760
is usually there are associated with communists.

1027
00:37:40,760 --> 00:37:44,400
They're a feminine/honal sexual.

1028
00:37:44,400 --> 00:37:49,960
Or they have some type of visual, physical deformity.

1029
00:37:49,960 --> 00:37:51,440
So they're disabled.

1030
00:37:51,440 --> 00:37:55,240
So it's like, the best--

1031
00:37:55,240 --> 00:37:56,960
I think the best thing about villain is

1032
00:37:56,960 --> 00:37:59,160
our real bar down in Skyfall.

1033
00:37:59,160 --> 00:38:02,760
And he basically plays James Bond as a gay man.

1034
00:38:02,760 --> 00:38:05,600
I'd like to please you that character as a gay man.

1035
00:38:05,600 --> 00:38:07,200
With a physical deformity.

1036
00:38:07,200 --> 00:38:10,920
With a physical deformity, with his mouth and everything.

1037
00:38:10,920 --> 00:38:13,920
And then the cool thing about that movie--

1038
00:38:13,920 --> 00:38:16,320
and this is the thing about these movies--

1039
00:38:16,320 --> 00:38:21,280
the people making them know that the text is what our say it is.

1040
00:38:21,280 --> 00:38:23,280
Because then what the writers are doing,

1041
00:38:23,280 --> 00:38:24,920
they're trying to push the boundaries.

1042
00:38:24,920 --> 00:38:28,120
Because John Logan is a gay man from what I understand.

1043
00:38:28,120 --> 00:38:30,400
The guy who wrote the script for Skyfall, if he's not,

1044
00:38:30,400 --> 00:38:32,160
I apologize, but I appreciate it.

1045
00:38:32,160 --> 00:38:36,520
And one of the things that he wrote in that version

1046
00:38:36,520 --> 00:38:38,360
of the character is--

1047
00:38:38,360 --> 00:38:40,680
so Silvers are in S.D.A. because he flustered Bond.

1048
00:38:40,680 --> 00:38:42,440
And he's like, we're up and he was so gone.

1049
00:38:42,440 --> 00:38:45,040
And then Daniel Craig counts as like, what makes you think

1050
00:38:45,040 --> 00:38:46,600
this is my first time?

1051
00:38:46,600 --> 00:38:47,600
And so--

1052
00:38:47,600 --> 00:38:48,120
[LAUGHS]

1053
00:38:48,120 --> 00:38:53,120
And by him saying that, they're basically saying,

1054
00:38:53,120 --> 00:38:55,240
OK, we're going to remove this expectation

1055
00:38:55,240 --> 00:38:56,840
you guys have of James Bond.

1056
00:38:56,840 --> 00:38:58,240
Like, we're removing that, right?

1057
00:38:58,240 --> 00:39:00,720
Because that's how he influnds version of James Bond.

1058
00:39:00,720 --> 00:39:01,520
Yeah.

1059
00:39:01,520 --> 00:39:03,080
And by doing that, too, because Silvers

1060
00:39:03,080 --> 00:39:07,400
is supposed to be a mirror of Bond in that movie, because even--

1061
00:39:07,400 --> 00:39:10,000
he like brings to T.C.A.L.S. and Mother, right?

1062
00:39:10,000 --> 00:39:12,600
So it's supposed to be like these weird sibling

1063
00:39:12,600 --> 00:39:12,840
rivalry.

1064
00:39:12,840 --> 00:39:16,120
He took a different path, but started at the same beginning.

1065
00:39:16,120 --> 00:39:16,640
Yeah.

1066
00:39:16,640 --> 00:39:16,960
Right.

1067
00:39:16,960 --> 00:39:19,040
So these writers are trying to like,

1068
00:39:19,040 --> 00:39:22,800
push the boundaries of what they can get away with in this text.

1069
00:39:22,800 --> 00:39:25,920
And it happens a little bit every time.

1070
00:39:25,920 --> 00:39:29,360
But I think what happens is one more you realize it, like,

1071
00:39:29,360 --> 00:39:32,880
well, then why am I participating in this?

1072
00:39:32,880 --> 00:39:36,560
You know, it's like once the point, it's not like Shakespeare.

1073
00:39:36,560 --> 00:39:39,040
It's like, there's a reason to kind of keep participating

1074
00:39:39,040 --> 00:39:41,400
when they keep changing the updating Shakespeare.

1075
00:39:41,400 --> 00:39:45,480
I don't necessarily know if there is as profound a reason

1076
00:39:45,480 --> 00:39:48,480
for us to keep participating in James Bond.

1077
00:39:48,480 --> 00:39:49,480
Yeah.

1078
00:39:49,480 --> 00:39:51,040
But we keep doing it.

1079
00:39:51,040 --> 00:39:51,480
I know.

1080
00:39:51,480 --> 00:39:52,840
And when they--

1081
00:39:52,840 --> 00:39:57,240
I remember that controversy when Daniel Craig's bond quits.

1082
00:39:57,240 --> 00:40:00,840
And they give the 007 number to a black woman.

1083
00:40:00,840 --> 00:40:01,320
Yes.

1084
00:40:01,320 --> 00:40:05,160
And oh gosh, the headlines were 007.

1085
00:40:05,160 --> 00:40:06,960
It's a black woman now, right?

1086
00:40:06,960 --> 00:40:09,480
And just the uproar that caused.

1087
00:40:09,480 --> 00:40:10,480
Right.

1088
00:40:10,480 --> 00:40:11,480
Yeah.

1089
00:40:11,480 --> 00:40:13,480
And you watch the movie and it's like she got the code number.

1090
00:40:13,480 --> 00:40:14,480
Yeah.

1091
00:40:14,480 --> 00:40:15,480
That was underrated.

1092
00:40:15,480 --> 00:40:16,480
That was pretty good.

1093
00:40:16,480 --> 00:40:17,480
Because I think--

1094
00:40:17,480 --> 00:40:18,480
Yeah.

1095
00:40:18,480 --> 00:40:19,480
That's right.

1096
00:40:19,480 --> 00:40:20,480
I like it.

1097
00:40:20,480 --> 00:40:22,480
That's the hard part about this.

1098
00:40:22,480 --> 00:40:23,480
It pulls us in.

1099
00:40:23,480 --> 00:40:24,480
Yeah.

1100
00:40:24,480 --> 00:40:28,720
I would say that the thing is, is the writing of--

1101
00:40:28,720 --> 00:40:31,640
like Ian Flunny's not the world's best writer.

1102
00:40:31,640 --> 00:40:36,400
And even his wife said that, she would make fun of this business.

1103
00:40:36,400 --> 00:40:39,880
She loved being rich, but she would make fun of these clothes.

1104
00:40:39,880 --> 00:40:40,640
She would be like--

1105
00:40:40,640 --> 00:40:43,280
like she would make fun of the fact that the characters

1106
00:40:43,280 --> 00:40:45,640
named Monty Canny and Pussy Gollar--

1107
00:40:45,640 --> 00:40:47,520
she thought this was a bad tarot.

1108
00:40:47,520 --> 00:40:50,000
Like her and then the near friends, their high society

1109
00:40:50,000 --> 00:40:52,080
friends, they were like, this guy is like right

1110
00:40:52,080 --> 00:40:53,560
to low grow literature.

1111
00:40:53,560 --> 00:40:56,040
And he only taught the influnny.

1112
00:40:56,040 --> 00:40:59,640
He would say, I don't consider James Bond to be like little

1113
00:40:59,640 --> 00:41:01,960
Jill of the cap or L. So he kind of knew

1114
00:41:01,960 --> 00:41:03,600
he was like making this product.

1115
00:41:03,600 --> 00:41:06,240
And it's so-- he's just like speaking so much money.

1116
00:41:06,240 --> 00:41:10,000
But I think one of the things that the movies have done

1117
00:41:10,000 --> 00:41:13,040
is the movies have really elevated this character.

1118
00:41:13,040 --> 00:41:15,000
Because in addition to making all these changes,

1119
00:41:15,000 --> 00:41:19,440
where the massager is racism, massager is wrong for me.

1120
00:41:19,440 --> 00:41:22,640
The other thing that they've done is they've massaged

1121
00:41:22,640 --> 00:41:24,520
the classes of James Bond.

1122
00:41:24,520 --> 00:41:28,680
Because James Bond is described to be a kind of eaten,

1123
00:41:28,680 --> 00:41:31,560
educated commander or a commander bond.

1124
00:41:31,560 --> 00:41:33,200
That's who he's supposed to be.

1125
00:41:33,200 --> 00:41:36,240
But when you cast Sean Connery as James Bond,

1126
00:41:36,240 --> 00:41:40,040
you're casting a working class colonized subject

1127
00:41:40,040 --> 00:41:42,240
of the British Empire, which immediately

1128
00:41:42,240 --> 00:41:45,400
changes the nature of that character.

1129
00:41:45,400 --> 00:41:47,920
Because it's like you're selling an image of the rich

1130
00:41:47,920 --> 00:41:51,920
to the world that isn't real because he is a working class man.

1131
00:41:51,920 --> 00:41:54,880
So it's like a kind of class, transmutation is occurring.

1132
00:41:54,880 --> 00:41:56,880
But then they kept doing that.

1133
00:41:56,880 --> 00:41:59,240
Like when they cast Roger Moore, I'm

1134
00:41:59,240 --> 00:42:01,880
pretty sure Roger and Moore and Timothy Dalton,

1135
00:42:01,880 --> 00:42:04,160
they're like, well, sure, something of that nature.

1136
00:42:04,160 --> 00:42:08,600
They are people who live on the margins of the British Empire.

1137
00:42:08,600 --> 00:42:10,400
- British society. - Yeah.

1138
00:42:10,400 --> 00:42:11,720
And the funny thing is that Ian's lonely

1139
00:42:11,720 --> 00:42:13,200
because he's such a capitalist.

1140
00:42:13,200 --> 00:42:15,080
When he saw that people love Sean Connery,

1141
00:42:15,080 --> 00:42:16,720
he just kind of evolved the character

1142
00:42:16,720 --> 00:42:19,040
through a time match with their scene and the movies.

1143
00:42:19,040 --> 00:42:20,480
- Interesting.

1144
00:42:20,480 --> 00:42:21,880
- So so many things happen.

1145
00:42:21,880 --> 00:42:24,560
So by the time we're getting James Bond now,

1146
00:42:24,560 --> 00:42:27,160
which I think is our cool thing with myths and geoboacidas

1147
00:42:27,160 --> 00:42:28,480
with the Odyssey, right?

1148
00:42:28,480 --> 00:42:30,040
And all adaptation of us,

1149
00:42:30,040 --> 00:42:33,440
and after a while, people aren't just adapting the text.

1150
00:42:33,440 --> 00:42:36,600
They're like adapting their interpretations of it.

1151
00:42:36,600 --> 00:42:39,200
And then people's interpretations of it,

1152
00:42:39,200 --> 00:42:41,360
all the conversations had around it.

1153
00:42:41,360 --> 00:42:43,880
- Yeah, well, who scored best at the box office?

1154
00:42:43,880 --> 00:42:47,200
Who is everyone's favorite poll and their favorite bond?

1155
00:42:47,200 --> 00:42:48,040
- Yeah. - Yeah.

1156
00:42:48,040 --> 00:42:48,880
- So the deal.

1157
00:42:48,880 --> 00:42:51,560
We get, they've like, it's hard to resist

1158
00:42:51,560 --> 00:42:54,480
'cause that the crowd for what they do is they hire great artists

1159
00:42:54,480 --> 00:42:56,320
to kind of bring this to life.

1160
00:42:56,320 --> 00:42:58,120
And so it's like James Bond,

1161
00:42:58,120 --> 00:43:02,320
it has some of the best cinematic sequences you will see in film.

1162
00:43:02,320 --> 00:43:04,440
Just 'cause they have a lot of money,

1163
00:43:04,440 --> 00:43:07,240
but also the way they've drawn, at least at the last time.

1164
00:43:07,240 --> 00:43:08,520
Who knows what I'm talking about, too.

1165
00:43:08,520 --> 00:43:11,240
But the way that the broccoli family,

1166
00:43:11,240 --> 00:43:14,360
the Wilson family, the East of these movies together,

1167
00:43:14,360 --> 00:43:16,880
I remember one guy at LMU, finally enough.

1168
00:43:17,600 --> 00:43:22,360
One of the people who produced the Bond films,

1169
00:43:22,360 --> 00:43:24,440
their daughter went to LMU.

1170
00:43:24,440 --> 00:43:27,040
And so like one of the theaters is named like

1171
00:43:27,040 --> 00:43:28,360
the Barbarale of Rock Leads Theater,

1172
00:43:28,360 --> 00:43:29,560
or something like that.

1173
00:43:29,560 --> 00:43:32,600
But one of the Michael G. Wilson produced the Bond movie.

1174
00:43:32,600 --> 00:43:34,800
So he came to our school to talk to us,

1175
00:43:34,800 --> 00:43:36,360
and he explained how the company works.

1176
00:43:36,360 --> 00:43:38,080
And he's like, well, we teach these people

1177
00:43:38,080 --> 00:43:39,360
the production people.

1178
00:43:39,360 --> 00:43:42,560
He said, we teach them on payroll all throughout the year.

1179
00:43:42,560 --> 00:43:45,480
And they're designing things for us and things of that nature.

1180
00:43:46,600 --> 00:43:48,280
So it's like, and you realize like,

1181
00:43:48,280 --> 00:43:50,720
huh, that's how these movies are put together.

1182
00:43:50,720 --> 00:43:53,640
You know, like, ever breathing, ever growing.

1183
00:43:53,640 --> 00:43:54,480
Yeah.

1184
00:43:54,480 --> 00:43:56,200
Like somebody already knows who the new Bond is.

1185
00:43:56,200 --> 00:43:57,680
They just haven't told us yet.

1186
00:43:57,680 --> 00:43:59,360
But they're well in that.

1187
00:43:59,360 --> 00:44:00,520
It is.

1188
00:44:00,520 --> 00:44:01,560
I wonder who this is.

1189
00:44:01,560 --> 00:44:05,680
As of like next year, it'll be the longest stint

1190
00:44:05,680 --> 00:44:08,960
without a new bond or like the longest pause

1191
00:44:08,960 --> 00:44:10,840
if we make it past next year.

1192
00:44:10,840 --> 00:44:14,280
So it'll be an interesting time to see,

1193
00:44:14,280 --> 00:44:18,760
like, have we evolved past it, have like audiences?

1194
00:44:18,760 --> 00:44:21,080
Or are we really looking into it?

1195
00:44:21,080 --> 00:44:22,960
I mean, they have a lot of rumors.

1196
00:44:22,960 --> 00:44:25,800
I was still hoping for an Idris Elba,

1197
00:44:25,800 --> 00:44:27,520
but I don't think we're ever going to get it.

1198
00:44:27,520 --> 00:44:28,360
I know.

1199
00:44:28,360 --> 00:44:29,360
I thought it would have been amazing.

1200
00:44:29,360 --> 00:44:30,200
No, no, no, no.

1201
00:44:30,200 --> 00:44:31,280
I don't think we're ever going to get it.

1202
00:44:31,280 --> 00:44:32,440
You know, what a bit of a reason.

1203
00:44:32,440 --> 00:44:34,640
Yeah, at this point, at this point, you should say that.

1204
00:44:34,640 --> 00:44:35,880
That would be sick.

1205
00:44:35,880 --> 00:44:38,040
I bet it's going to be Aaron Taylor Johnson.

1206
00:44:38,040 --> 00:44:39,920
He's young and British and handsome.

1207
00:44:39,920 --> 00:44:41,720
I like to be able to shirt off.

1208
00:44:41,720 --> 00:44:44,240
I don't like his wife, but I like him.

1209
00:44:44,240 --> 00:44:47,080
Oh, that's hilarious.

1210
00:44:47,080 --> 00:44:48,360
That's hilarious.

1211
00:44:48,360 --> 00:44:49,760
She's a filmmaker.

1212
00:44:49,760 --> 00:44:51,160
She's an excellent movie.

1213
00:44:51,160 --> 00:44:57,920
Yeah, she's a filmmaker and a very controversial woman.

1214
00:44:57,920 --> 00:45:01,680
I think she directed the first 50 shades of the gray, right?

1215
00:45:01,680 --> 00:45:02,680
She did.

1216
00:45:02,680 --> 00:45:06,600
She also did nowhere for us with Aaron Taylor Johnson

1217
00:45:06,600 --> 00:45:08,840
when he was 17.

1218
00:45:08,840 --> 00:45:13,440
Yes, when he was a small little baby, but Squirrel.

1219
00:45:13,440 --> 00:45:14,440
I know.

1220
00:45:14,440 --> 00:45:16,440
I think it'll be really.

1221
00:45:16,440 --> 00:45:17,440
Yeah.

1222
00:45:17,440 --> 00:45:18,440
It'll be interesting.

1223
00:45:18,440 --> 00:45:23,760
Like you said, just you were Amazon does with it and has, you know, Daddy Bezos' claws

1224
00:45:23,760 --> 00:45:24,760
in there.

1225
00:45:24,760 --> 00:45:25,760
It'll be interesting.

1226
00:45:25,760 --> 00:45:30,240
I mean, it's when they say it'll be the longest church because it's like, I guess,

1227
00:45:30,240 --> 00:45:31,960
well, you used to be the longest church.

1228
00:45:31,960 --> 00:45:33,960
Ironically, you know what I'm saying?

1229
00:45:33,960 --> 00:45:34,960
Yeah.

1230
00:45:34,960 --> 00:45:38,520
Yeah, there was like when the Berlin Wall came down, there was like the lot.

1231
00:45:38,520 --> 00:45:43,400
That was the last longest church between the V's because they kind of had to figure

1232
00:45:43,400 --> 00:45:47,640
out like, well, what is Bond supposed to be now if he's not kind of fight kind is a.

1233
00:45:47,640 --> 00:45:48,640
Yeah.

1234
00:45:48,640 --> 00:45:49,640
What's his answer?

1235
00:45:49,640 --> 00:45:50,640
Yeah.

1236
00:45:50,640 --> 00:45:55,000
And what they kind of did was, maybe I'm curious if they were, but in the James Bond movies,

1237
00:45:55,000 --> 00:45:59,400
you kind of get a precursor to the one we talked about the War on Terror.

1238
00:45:59,400 --> 00:46:06,840
So when we talk about the War on Terror and we talk about these kind of, these international,

1239
00:46:06,840 --> 00:46:13,280
like what does Osama Belon, Osama Belon is this international,

1240
00:46:13,280 --> 00:46:19,720
gay man who has access to always crazy resources and he's held bent on world domination threatening

1241
00:46:19,720 --> 00:46:24,600
our western way of life, but he also exists outside of any government.

1242
00:46:24,600 --> 00:46:32,240
So, you know, which which which is financial middleman is the bad guy.

1243
00:46:32,240 --> 00:46:33,240
Yeah.

1244
00:46:33,240 --> 00:46:34,240
Yeah.

1245
00:46:34,240 --> 00:46:35,240
Financial terrorist.

1246
00:46:35,240 --> 00:46:36,240
Yeah.

1247
00:46:36,240 --> 00:46:38,920
And the book, he man that we can all unite against.

1248
00:46:38,920 --> 00:46:39,920
Correct.

1249
00:46:39,920 --> 00:46:49,920
And I don't have to be a country anymore.

1250
00:46:49,920 --> 00:46:52,120
He could just be like, he's a super villain essentially.

1251
00:46:52,120 --> 00:46:55,920
And so I feel like, yeah, I feel like there's definitely some type of closer relationship

1252
00:46:55,920 --> 00:46:56,920
there than I'm dry.

1253
00:46:56,920 --> 00:47:01,120
I feel like there's a lot of these are the, but it's interesting that like after the Cold War,

1254
00:47:01,120 --> 00:47:04,520
these are the villains that James Bond is kind of going up against.

1255
00:47:04,520 --> 00:47:05,520
And this is now how we talk about geopolitics.

1256
00:47:05,520 --> 00:47:09,840
He's framing them all those in the, like, a language that we've experienced in movies.

1257
00:47:09,840 --> 00:47:13,440
And with some person like, that's definitely conscious because he's like a team.

1258
00:47:13,440 --> 00:47:14,440
Yeah.

1259
00:47:14,440 --> 00:47:15,440
Yeah.

1260
00:47:15,440 --> 00:47:17,440
And I mean, he's a jackass in an idiot.

1261
00:47:17,440 --> 00:47:18,440
So he doesn't.

1262
00:47:18,440 --> 00:47:19,440
Yeah.

1263
00:47:19,440 --> 00:47:20,440
He knows movies.

1264
00:47:20,440 --> 00:47:23,600
He's like, I read this in a, you know, I've told us in a movie once.

1265
00:47:23,600 --> 00:47:30,120
That's where he draws his knowledge, quote, quote, from his, yeah, what he's seen in movies

1266
00:47:30,120 --> 00:47:35,360
and what he sees like a cool dictator do or a cool sexy rich guy do.

1267
00:47:35,360 --> 00:47:36,360
Yeah.

1268
00:47:36,360 --> 00:47:40,320
Sure, it's just what he thinks of poor persons ideal in each person.

1269
00:47:40,320 --> 00:47:41,320
Exactly.

1270
00:47:41,320 --> 00:47:43,120
That's why everything spray paint and gold.

1271
00:47:43,120 --> 00:47:44,120
Yes.

1272
00:47:44,120 --> 00:47:45,120
Yes.

1273
00:47:45,120 --> 00:47:48,040
It's like if you're a poor person, that you will understand this as well, but like real

1274
00:47:48,040 --> 00:47:49,040
person, real rich person.

1275
00:47:49,040 --> 00:47:50,040
So I don't know.

1276
00:47:50,040 --> 00:47:51,040
Yeah.

1277
00:47:51,040 --> 00:47:53,040
So you got that at home, deep, oh man.

1278
00:47:53,040 --> 00:47:54,040
Yeah, exactly.

1279
00:47:54,040 --> 00:47:57,960
So I mean, so that was the, that was kind of what I came up on with James Bond.

1280
00:47:57,960 --> 00:48:03,240
And like at the end of it, I kind of liked him a lot less than intellectually like him

1281
00:48:03,240 --> 00:48:04,240
a lot less.

1282
00:48:04,240 --> 00:48:05,240
Yeah.

1283
00:48:05,240 --> 00:48:06,720
Enjoy some of these movies.

1284
00:48:06,720 --> 00:48:12,360
I don't think I ever, I don't think like that idea that I have like one day I'll introduce

1285
00:48:12,360 --> 00:48:13,360
that on it.

1286
00:48:13,360 --> 00:48:14,360
It'll be so cool.

1287
00:48:14,360 --> 00:48:17,800
Kind of like when I was a kid, they sent this fight to you and marathon over all these

1288
00:48:17,800 --> 00:48:19,680
days, all of all the James Bond movies.

1289
00:48:19,680 --> 00:48:20,680
Yeah.

1290
00:48:20,680 --> 00:48:22,600
I'm like, I don't think I'll ever do that.

1291
00:48:22,600 --> 00:48:24,360
That's like the channel for men.

1292
00:48:24,360 --> 00:48:25,360
Yeah.

1293
00:48:25,360 --> 00:48:26,360
Yeah.

1294
00:48:26,360 --> 00:48:27,360
That was the channel for men.

1295
00:48:27,360 --> 00:48:28,360
And now it's time.

1296
00:48:28,360 --> 00:48:29,360
Yeah.

1297
00:48:29,360 --> 00:48:30,360
But my aunt show.

1298
00:48:30,360 --> 00:48:31,360
Yeah.

1299
00:48:31,360 --> 00:48:32,880
I remember being like marketed as like the channel for men.

1300
00:48:32,880 --> 00:48:35,480
I was like, Oh, I guess I can't watch any of this.

1301
00:48:35,480 --> 00:48:36,480
I don't know.

1302
00:48:36,480 --> 00:48:37,480
I'm going to see.

1303
00:48:37,480 --> 00:48:38,480
But it's something.

1304
00:48:38,480 --> 00:48:39,480
Yeah.

1305
00:48:39,480 --> 00:48:40,480
I'm going to fight.

1306
00:48:40,480 --> 00:48:44,960
I remember like the end of the whole awards ceremony one time to honor fight club within

1307
00:48:44,960 --> 00:48:46,760
the old red and negative reviews.

1308
00:48:46,760 --> 00:48:49,560
I'll fight club at the awards and I get to be a man.

1309
00:48:49,560 --> 00:48:50,920
As a man's will.

1310
00:48:50,920 --> 00:48:51,920
Yeah.

1311
00:48:51,920 --> 00:48:58,440
So if you were going to show a child some of your favorite movies someday before we close

1312
00:48:58,440 --> 00:49:01,760
out this episode, well, what would some of the favorite movies be?

1313
00:49:01,760 --> 00:49:02,760
Right.

1314
00:49:02,760 --> 00:49:04,440
That's a good question.

1315
00:49:04,440 --> 00:49:09,040
I haven't thought about that before.

1316
00:49:09,040 --> 00:49:13,360
What I think I thought about it because I thought about this recently in terms of a lot of

1317
00:49:13,360 --> 00:49:15,080
difficulties where we talk about it just with dating.

1318
00:49:15,080 --> 00:49:21,200
Like, a lot of people do carry morals and like lessons of how they want their life to

1319
00:49:21,200 --> 00:49:23,880
go from movies more than they realize.

1320
00:49:23,880 --> 00:49:24,880
Yeah.

1321
00:49:24,880 --> 00:49:25,880
Absolutely.

1322
00:49:25,880 --> 00:49:31,680
Like, and like Chuck Austin, he has this quote at the end of this his, his, his, the

1323
00:49:31,680 --> 00:49:37,280
book that has a lot of essays called eating the dinosaur and, and it's called that because

1324
00:49:37,280 --> 00:49:42,000
he's like the only good use for time machines to go back in time to eat a dancer.

1325
00:49:42,000 --> 00:49:44,000
Just for you.

1326
00:49:44,000 --> 00:49:50,440
But he says something where he says he says like a lot of times the things that we want, we

1327
00:49:50,440 --> 00:49:53,560
don't really want them.

1328
00:49:53,560 --> 00:49:58,080
We say we want them because we think that if we tell people we want these things, we

1329
00:49:58,080 --> 00:50:01,560
think it will impress them.

1330
00:50:01,560 --> 00:50:05,760
And like sometimes when you have the family who are talented, you're not a chief of thing,

1331
00:50:05,760 --> 00:50:08,120
that person actually doesn't want to be around joining one.

1332
00:50:08,120 --> 00:50:12,320
But what they do want to get around is a person who seems to want things.

1333
00:50:12,320 --> 00:50:14,040
And I'm like, how that's very interesting.

1334
00:50:14,040 --> 00:50:18,720
And so then a lot of like what you are told to walk just comes from movies and TV shows.

1335
00:50:18,720 --> 00:50:22,400
It would be like even, even down to like, I want a man who can do this from you.

1336
00:50:22,400 --> 00:50:23,720
Like, I want to want to want to do this like this.

1337
00:50:23,720 --> 00:50:27,440
It's like, well, this is just, you saw this on TV, which is so constructed.

1338
00:50:27,440 --> 00:50:29,280
And so you can like spend a little bit of your whole life.

1339
00:50:29,280 --> 00:50:30,280
Married with children.

1340
00:50:30,280 --> 00:50:31,280
Yeah.

1341
00:50:31,280 --> 00:50:32,280
I don't want that.

1342
00:50:32,280 --> 00:50:33,280
Or friends.

1343
00:50:33,280 --> 00:50:34,280
Or friends.

1344
00:50:34,280 --> 00:50:37,840
Like you'll say, like, I should be living in a apartment like friends.

1345
00:50:37,840 --> 00:50:41,000
And like, well, this is an unreality for all of us.

1346
00:50:41,000 --> 00:50:42,000
No one lives in a department.

1347
00:50:42,000 --> 00:50:43,000
Yeah.

1348
00:50:43,000 --> 00:50:44,000
Right.

1349
00:50:44,000 --> 00:50:45,000
Exactly.

1350
00:50:45,000 --> 00:50:47,960
So it's like, so lately I've been thinking about like, okay, well, we kind of take a lot of

1351
00:50:47,960 --> 00:50:54,200
lessons from movies subconsciously and I really got away.

1352
00:50:54,200 --> 00:51:01,160
So if I had to show a movie, I mean, you have to show movies, you should get kids movies

1353
00:51:01,160 --> 00:51:02,160
because you're actually born baby.

1354
00:51:02,160 --> 00:51:03,160
Yeah.

1355
00:51:03,160 --> 00:51:04,160
Yeah.

1356
00:51:04,160 --> 00:51:05,160
Probably bandy, probably bandy.

1357
00:51:05,160 --> 00:51:06,160
There you go.

1358
00:51:06,160 --> 00:51:07,160
Okay.

1359
00:51:07,160 --> 00:51:08,160
There you go.

1360
00:51:08,160 --> 00:51:09,160
Probably teacher 50.

1361
00:51:09,160 --> 00:51:14,360
But there's like, but there's like, but there's one movie that I think like, okay, it'll probably

1362
00:51:14,360 --> 00:51:17,440
park a person be a good person.

1363
00:51:17,440 --> 00:51:18,440
Huh.

1364
00:51:18,440 --> 00:51:20,440
There is a moon like this.

1365
00:51:20,440 --> 00:51:22,680
Well, maybe she'll help you.

1366
00:51:22,680 --> 00:51:24,480
I'll say she'll help you.

1367
00:51:24,480 --> 00:51:28,080
Because my girlfriend, my dad is a minister.

1368
00:51:28,080 --> 00:51:32,840
And so like, I used to always show him, I guess, gay propaganda to kind of get him to see

1369
00:51:32,840 --> 00:51:33,840
the light.

1370
00:51:33,840 --> 00:51:34,840
Yeah.

1371
00:51:34,840 --> 00:51:35,840
I love that.

1372
00:51:35,840 --> 00:51:38,680
The one that worked on him the most was sure a little.

1373
00:51:38,680 --> 00:51:44,360
I know it was that because because Denzel plays a homophobic not movie.

1374
00:51:44,360 --> 00:51:45,360
Okay.

1375
00:51:45,360 --> 00:51:47,960
But his, his arc is that his arc is interesting.

1376
00:51:47,960 --> 00:51:54,000
Like Denzel by the end of the movie is not necessarily like the most reformed person,

1377
00:51:54,000 --> 00:51:56,760
but he's reformed enough to know that he's wrong.

1378
00:51:56,760 --> 00:51:57,760
Yeah.

1379
00:51:57,760 --> 00:52:01,040
So, to see the decency in humanity and other people.

1380
00:52:01,040 --> 00:52:02,040
Yeah.

1381
00:52:02,040 --> 00:52:05,680
Because in Tom Hanks, like, Tucker Stan Hanks plays for people in the Donald Philadelphia.

1382
00:52:05,680 --> 00:52:10,320
He's about Tom Hanks as a guy who has HIV.

1383
00:52:10,320 --> 00:52:13,760
And this is back in back in the 19th and 19th.

1384
00:52:13,760 --> 00:52:16,720
We're having that was a little bit more stigmatized than now.

1385
00:52:16,720 --> 00:52:18,840
And so he's in proper be fired.

1386
00:52:18,840 --> 00:52:22,560
But he's like a brilliant, so try to remember like a brain attorney.

1387
00:52:22,560 --> 00:52:25,440
And so our doctor, he said some women type of person.

1388
00:52:25,440 --> 00:52:30,440
So then he hires essentially who's an ambulance chase Eric Denzel Washington.

1389
00:52:30,440 --> 00:52:32,680
Because no one else wants to take on this case.

1390
00:52:32,680 --> 00:52:35,520
And then the Washington sees this as an opportunity.

1391
00:52:35,520 --> 00:52:36,520
It's really a homophobic.

1392
00:52:36,520 --> 00:52:39,120
We still take to high any words for selfish reasons.

1393
00:52:39,120 --> 00:52:43,680
And then by knowing to, by impingling him, he can realize that he's wrong.

1394
00:52:43,680 --> 00:52:44,680
Yeah.

1395
00:52:44,680 --> 00:52:48,480
So I think that's probably a movie you could probably show a kid and go walk away with some

1396
00:52:48,480 --> 00:52:49,480
good lessons.

1397
00:52:49,480 --> 00:52:51,320
That's a great choice.

1398
00:52:51,320 --> 00:52:52,320
Damn.

1399
00:52:52,320 --> 00:52:53,320
I like that.

1400
00:52:53,320 --> 00:52:54,320
I like that.

1401
00:52:54,320 --> 00:52:55,840
That's a good answer.

1402
00:52:55,840 --> 00:52:56,840
No James Bond here.

1403
00:52:56,840 --> 00:52:57,840
No, no, no.

1404
00:52:57,840 --> 00:52:58,840
No, no, no.

1405
00:52:58,840 --> 00:53:01,680
Not just true that.

1406
00:53:01,680 --> 00:53:04,800
Well, thank you so much for joining us, Daniel.

1407
00:53:04,800 --> 00:53:08,840
When does your essay come out and where can everyone read it once it does?

1408
00:53:08,840 --> 00:53:12,320
It'll be on the splice.co.inq.

1409
00:53:12,320 --> 00:53:14,160
And it should be in the next two months.

1410
00:53:14,160 --> 00:53:15,240
It should be in the next month or so.

1411
00:53:15,240 --> 00:53:16,760
I have to finish this.

1412
00:53:16,760 --> 00:53:21,560
Hopefully we got your brain, brain move in there.

1413
00:53:21,560 --> 00:53:23,080
Yeah, we're on top of it.

1414
00:53:23,080 --> 00:53:24,080
Sometimes.

1415
00:53:24,080 --> 00:53:28,240
Yeah, I mean, there's going to be a, there's going to be, I probably will release, I guess,

1416
00:53:28,240 --> 00:53:32,240
on my website when I'm done a choral, choral director's cart version of it.

1417
00:53:32,240 --> 00:53:34,480
Because I, I got like really indulgent.

1418
00:53:34,480 --> 00:53:39,320
But some of the parts where I got indulgent, I'm like, they were really well written.

1419
00:53:39,320 --> 00:53:41,680
Um, because it's like, I'm Caribbean.

1420
00:53:41,680 --> 00:53:45,480
So like the first James Bond takes place in Jamaica.

1421
00:53:45,480 --> 00:53:49,720
And then the other thing is that there's aspects where, you know, James Bond has taken

1422
00:53:49,720 --> 00:53:54,040
place in Turkey, Ian Fleming was a Turkish spy.

1423
00:53:54,040 --> 00:53:57,280
And then there's a story that I kind of leaked together, which is like the story that we

1424
00:53:57,280 --> 00:53:59,720
Mark Anthony, broccoli, a patriotic turkey.

1425
00:53:59,720 --> 00:54:01,600
She looked at the beach and said, like, I don't like it.

1426
00:54:01,600 --> 00:54:05,800
And so then he trucked in sand to replace the sand there.

1427
00:54:05,800 --> 00:54:10,360
But the funny thing about us, and that, that story is that they do do that in the Caribbean.

1428
00:54:10,360 --> 00:54:15,640
So like in the Caribbean, there's like my mom grew up on an island called St Vincent.

1429
00:54:15,640 --> 00:54:17,840
And because they have volcanoes, they have black sand.

1430
00:54:17,840 --> 00:54:22,080
And when the tourists and when they come to the resorts, they're expecting to be just to

1431
00:54:22,080 --> 00:54:24,080
look at how it looks like in James Bond looking.

1432
00:54:24,080 --> 00:54:29,080
And so then they will truck in white sand from other islands to give them a solution.

1433
00:54:29,080 --> 00:54:31,560
And so like I was going to always like segue.

1434
00:54:31,560 --> 00:54:33,320
And I'm like, he's interesting.

1435
00:54:33,320 --> 00:54:35,680
So that's not what I'm talking about.

1436
00:54:35,680 --> 00:54:36,680
It's interesting.

1437
00:54:36,680 --> 00:54:37,680
You mentioned your website.

1438
00:54:37,680 --> 00:54:40,320
What is your website and what is your social media handle?

1439
00:54:40,320 --> 00:54:41,320
Yes.

1440
00:54:41,320 --> 00:54:43,560
So my website is my name.com.

1441
00:54:43,560 --> 00:54:48,880
So it's danieldeboulay, that's d-e-b-o-u-l-a-y.com.

1442
00:54:48,880 --> 00:54:50,960
And I'm on threads.

1443
00:54:50,960 --> 00:54:54,800
My last name, d-e-b-o-u-l-a-y.mxf.

1444
00:54:54,800 --> 00:54:57,200
And so the show knows out there.

1445
00:54:57,200 --> 00:54:58,800
They'll know what mxf means.

1446
00:54:58,800 --> 00:55:01,800
It's a very, very lucky niche.

1447
00:55:01,800 --> 00:55:03,640
They're in term and she'll be.

1448
00:55:03,640 --> 00:55:04,640
Love it.

1449
00:55:04,640 --> 00:55:07,960
Olivia, where can the listeners find you online?

1450
00:55:07,960 --> 00:55:16,080
And you can find me on Instagram @livimariez l-i-v-i-m-a-r-i-e-z.

1451
00:55:16,080 --> 00:55:26,080
You can find me, Shauna Trinidad, on Instagram and threads @shaunatrinidad, s-h-a-u-n-a-t-r-i-n-i-d-a-d.

1452
00:55:26,080 --> 00:55:30,080
And of course you can find us at our website, popculturejunkie.com.

1453
00:55:30,080 --> 00:55:34,280
That's where you can access our podcast on all platforms along with our social media

1454
00:55:34,280 --> 00:55:37,920
links, blog posts, and the popculture junkie store.

1455
00:55:37,920 --> 00:55:40,520
And a way to contact us.

1456
00:55:40,520 --> 00:55:43,800
Join our Pop Culture Junkie online support group on Facebook.

1457
00:55:43,800 --> 00:55:47,240
We want to hear from you there and all your pop culture opinions.

1458
00:55:47,240 --> 00:55:52,240
And please take a second to follow, subscribe, rate, and review the show.

1459
00:55:52,240 --> 00:55:54,440
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1460
00:55:54,440 --> 00:55:57,640
And we would love it if you could join our Patreon.

1461
00:55:57,640 --> 00:56:02,720
Every subscription helps us bring you more great episodes like this one.

1462
00:56:02,720 --> 00:56:08,480
You can find us at patreon.com/popculturejunkiepodcast

1463
00:56:08,480 --> 00:56:14,440
Sign up for an uncensored sneak peek at our next episode or get a personal shout out from

1464
00:56:14,440 --> 00:56:16,760
both of us.

1465
00:56:16,760 --> 00:56:25,200
And come back next week for another hit of pop culture.

1466
00:56:25,200 --> 00:56:29,960
The Pop Culture Junkie podcast is produced by Cheryl Lightfoot for the Pop Culture Entertainment

1467
00:56:29,960 --> 00:56:30,960
Network.

1468
00:56:30,960 --> 00:56:35,960
So why don't you take me and I take me right now.

1469
00:56:35,960 --> 00:56:37,960
I need it better, I need it better.

1470
00:56:37,960 --> 00:56:44,960
Cause I need it better, I need it better.

1471
00:56:44,960 --> 00:56:54,960
[Music]

